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“... absence. But in that case, Fanny wouldn’t join her household and would miss daily contact with Edmund, who notices her and then doesn’t, releasing an important dramatic energy into the book. So Austen has to have Lady Bertram be there and not there at the very same time; she has to give her characteristics which are essentially neutral. Since her husband ...”

“... the pharmacist had hung an empty wasps’ nest from a shelf: small, exquisite, clean matte white, and hard as stucco. I admired it so much he gave it to me. The wasps’ nest, rather than the map or the Atlantic Ocean, is now Bishop’s symbolic equivalent for art: an organic form (unlike her former inorganic monument in the poem of that ...”

“... Panter-Downes, London correspondent for the New Yorker, put it) would be impossible to say. When Edmund Wilson visited England in 1956 he was struck by how well-regulated life seemed: ‘In spite of the developments since the last war,’ he wrote, ‘the social system is still largely taken for granted, and it is soothing for an American to arrive in a ...”

“... the era of the Civil War. We therefore need to recalibrate our assessment of the violence between white protagonists so as to open our eyes to the far darker realities of ethnic division. And furthermore – though he doesn’t quite say as much – he seems to think that by putting the Civil War in its proper place on the scale of destruction we can also ...”

“... a reader might expect to meet in the sort of ghost story where sceptical explanations are absent? Edmund Wilson advanced a version of the projective view, while F.R. Leavis – in the course of a ‘disagreement’ with Marius Bewley on the subject which is contained in Bewley’s The Complex Fate – came out on the other side. Leavis thinks of the tale as a ...”

“... stuff on the Georgians, to whom he attached himself through the early influence of Eddie Marsh and Edmund Gosse (correspondingly they did not much care for the raw tone of his war poetry). But it was Sassoon’s own inclination to look back to lost worlds and the happy days of his youth that kept him so stubbornly hostile to T.S. Eliot and to Modernism in ...”

“... permission. It was the first violation.When Diana drove to St Paul’s she was a blur of virginal white behind glass. The public was waiting to see the dress, but this was more than a fashion moment. An everyday sort of girl had been squashed into the coach, but a goddess came out. She didn’t get out of the coach in any ordinary way: she hatched. The ...”

“... botany and worried constantly about her workload, complaining that she has ‘to keep on like the White Queen to stay in the same place’. When she got a B- in her first English paper, it made her feel ‘slightly sick’. She dated with the fervour of a boy-crazy 18-year-old. ‘Oh dear will a nice freshman boy never give me a tumble?’ she sighed in a ...”

“... her pregnant; a black baby is born, but spirited away and replaced with a child bought from a poor white woman. Ibrahim is recalled to Russia by Tsar Peter, who dotes on him, and is matched up by the monarch with a bride, a boyar’s daughter, Natalya Rzhevskaya, who has a lost love of her own. At this point, 29 Penguin Classic pages after it starts, the work ...”

“... acted as tutor to a wealthy young man. (On the other hand he may have entered his brother-in-law Edmund Popple’s trading-house.) When he returned to England in 1647 his political sympathies were apparently royalist. Though he was soon to change his views, the best readings of his poetry are sensitive, as Nicholas Murray points out, to the ‘strangeness of ...”

“... revising, since any sophisticated account of pleasure shares a boundary with elegy.By the time of Edmund White’s The Farewell Symphony, published just under a decade later, the world of Aids seemed all-engulfing, a maze with only one exit. The finale of Haydn’s Symphony No. 45, nicknamed ‘The Farewell’, was supposedly a sidelong intervention into ...”

“... would comfort the dying more often than saving the living. But the deeper purpose was moral: the white-uniformed nurses would serve as emblems of moral courage and symbols of Allied values, their femininity contrasting with the masculinity defined by the Totenkopf and the black uniforms of the SS. Naturally, Weil wanted to be among the first nurses ...”

“... the floor of a Dominican church. Among the gravestones was a particularly striking one in grey-white marble with pink and blue veins. Two helmets with slits for eyes faced each other, like a pair of beaky dolphins about, clangingly, to kiss: ‘Tomb Slab of an English Couple’, the label in Istanbul’s Archaeological Museum says. The couple were ...”

“... up his long and loving friendship with the self-thwarting Esther Murphy in The Fifties (1986), Edmund Wilson recalled how vividly, if also profligately, Murphy – whose particular tragedy was to have an alcohol-saturated writer’s block of mammoth proportions and lifelong duration – embodied ‘the special characteristics of our race of the ...”