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Parodies

Barbara Everett, 7 May 1981

A Night in the Gazebo 
by Alan Brownjohn.
Secker, 64 pp., £3, November 1980, 0 436 07114 2
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Victorian Voices 
by Anthony Thwaite.
Oxford, 42 pp., £3.95, October 1980, 0 19 211937 0
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The Illusionists 
by John Fuller.
Secker, 138 pp., £3.95, November 1980, 0 436 16810 3
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... poem chose to ‘parody’ the earlier master, just as Eliot in the Quartets makes deference to a Dante a thousand years ...

Comprehending Gaddis

D.A.N. Jones, 6 March 1986

The Recognitions 
by William Gaddis.
Penguin, 956 pp., £7.95, January 1986, 0 14 007768 5
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JR 
by William Gaddis.
Penguin, 726 pp., £7.95, January 1986, 0 14 008039 2
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Carpenter’s Gothic 
by William Gaddis.
Deutsch, 262 pp., £8.95, February 1986, 0 233 97932 8
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... when they had ‘changed the story-line around a little’, to make it ‘the Divine Comedy by Dante, instead of a straight life of the BVM’. They had just ‘got it all tied up with this canonisation, God damn it, she was the BVM incarnate, she had it in the bag.’ We must leave The Recognitions and press on to Carpenter’s Gothic, pausing for a brief ...

Goodbye to Borges

John Sturrock, 7 August 1986

Atlas 
by Jorge Luis Borges, in collaboration with by Maria Kodama, translated by Anthony Kerrigan.
Viking, 95 pp., £12.95, March 1986, 0 670 81029 0
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Seven Nights 
by Jorge Luis Borges, translated by Eliot Weinberger.
Faber, 121 pp., £3.95, June 1986, 0 571 13737 7
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... in 1977, but the subjects are ones he could have lectured on at almost any date after 1930 – Dante, the Thousand and One Nights, Buddhism, the Kabbala, Nightmares, Blindness, Poetry. These are old lectures remembered – which is to say, refined by time, in that temporal process of distortion and oblivion which Borges saw it as his task to mimic. The ...

Human Stuff

Lawrence Gowing, 2 February 1984

... on his temple (from which Socrates, outwardly a satyr, adopted it), was self-knowledge, and Dante began the Paradiso with a prayer to him: ‘Enter my breast and infuse me with your spirit, as you did when you tore Marsyas from the covering of his limbs.’ Plato said that the strains of the pipes, which he excluded from the Republic, indicated those ...

Tiff and Dither

Michael Wood, 2 January 1997

Diaries. Vol. I: 1939-60 
by Christopher Isherwood, edited by Katherine Bucknell.
Methuen, 1048 pp., £25, October 1996, 0 413 69680 4
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... Huxley on ‘a favourite topic: the poorness of all literature’: Homer was terribly overrated, Dante was hopelessly limited, Shakespeare was such a stupid man, Goethe was such a bore, Tolstoy was silly etc. We had disposed of nearly everybody, and Aldous was really enjoying himself – until a nasty doubt struck him: ‘What about Lope de Vega? I’ve ...

Free from Humbug

Erin Maglaque: The Murdrous Machiavel, 16 July 2020

Machiavelli: His Life and Times 
by Alexander Lee.
Picador, 762 pp., £30, March 2020, 978 1 4472 7499 5
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... dread poverty, and I am not terrified by death. I absorb myself into them completely. And because Dante says that no one understands anything unless he retains [it], I have jotted down what I have profited from in their conversation and composed a short study, De principatibus.Even now, at the distance of five centuries, Machiavelli’s words in The Prince ...

When Men Started Doing It

Steven Shapin: At the Grill Station, 17 August 2006

Heat: An Amateur’s Adventures as Kitchen Slave, Line Cook, Pasta-Maker and Apprentice to a Butcher in Tuscany 
by Bill Buford.
Cape, 318 pp., £17.99, July 2006, 9780224071840
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... of it and not to make money – and that’s the spirit in which he approached his adventures. The Dante-quoting, ‘O sole mio’-singing butcher in Tuscany affected to be an amateur too, one who made money through his art but who despised the world of – spitting out the English with sarcastic emphasis – ‘bizzzness’: ‘I have a bad bizzzness. I am ...

Oh! – only Oh!

Ruth Bernard Yeazell: Burne-Jones, 9 February 2012

The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination 
by Fiona MacCarthy.
Faber, 629 pp., £25, September 2011, 978 0 571 22861 4
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... him with the Pre-Raphaelites, and when he arrived in London he ‘practically stalked’ Dante Gabriel Rossetti until the poet and painter took him on as a kind of apprentice. When Morris came to live in London later that year, he and Burne-Jones shared lodgings in Bloomsbury, paid for by Morris’s mother, and a subsequent visit from Ruskin himself ...

So Frank

Sheila Heti: Meeting Knausgaard, 9 January 2014

My Struggle: Book 2. A Man in Love 
by Karl Ove Knausgaard, translated by Don Bartlett.
Vintage, 544 pp., £8.99, October 2013, 978 0 09 955517 9
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... them, it would just be literature, just fiction, and worthless. However, I could counter that Dante, for example, had written just fiction, that Cervantes had written fiction and that Melville had written just fiction. It was irrefutable that being human would not be the same if these three works had not existed. So why not write just fiction? Good ...

Mad for Love

Tobias Gregory: ‘Orlando Furioso’, 9 September 2010

‘Orlando Furioso’: A New Verse Translation 
by Ludovico Ariosto, translated by David Slavitt.
Harvard, 672 pp., £29.95, November 2009, 978 0 674 03535 5
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... lunar episode is at once a celestial revelation like Cicero’s ‘Dream of Scipio’ or Dante’s Paradiso and a burlesque of this tradition. As such revelations tend to, it takes a long-distance view in order to make our worldly goals look like follies, but Ariosto’s Moon is exalted only literally; it is not a heaven, but an allegorical mirror of ...

I Contain Multitudes

Terry Eagleton: Bakhtin is Everywhere, 21 June 2007

Mikhail Bakhtin: The Word in the World 
by Graham Pechey.
Routledge, 238 pp., £19.99, March 2007, 978 0 415 42419 6
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... but his wife, Elena Alexsandrovna, took odd jobs to keep the pair alive, and this devotee of Dante and Goethe ended up teaching accountancy to pig farmers as part of the collectivisation effort. Having served his time in Kazakhstan, he settled in Saransk, where he lived for a while in a disused jail and taught at the Pedagogical Institute as a one-man ...

Diary

James Lasdun: With the rent-collector, 21 October 2004

... to some kind of analysis, but in the thick of it one feels more need of a Dostoevsky or even a Dante than a study from the Department of Social Security. Judy’s apartment has been turned over to five young Mexicans, illegal itinerant carpenters. Three of them are there, the other two are in hospital. In pitch darkness – the electricity to the apartment ...

Darling, are you mad?

Jenny Diski: Ghost-writing for Naim Attallah, 4 November 2004

Ghosting 
by Jennie Erdal.
Canongate, 270 pp., £14.99, November 2004, 1 84195 562 0
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... ran ‘Murder, metaphor and memory’; the Catholic Herald, ‘A lusty Beatrice leads her Dante’; the Literary Review, ‘A sensitivity . . . unusual in a man’ (or was that code for Alice Thomas Ellis having cottoned on?); the Oldie didn’t go for the sex much but spoke of Lorca and Pasolini sharing the same Mediterranean Catholic mind as ...

Like a Carp on a Lawn

Graham Robb: Marie D’Agoult, 7 June 2001

The Life of Marie d'Agoult, Alias Daniel Stern 
by Phyllis Stock-Morton.
Johns Hopkins, 291 pp., £33, July 2000, 0 8018 6313 9
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Marie d’Agoult: The Rebel Countess 
by Richard Bolster.
Yale, 288 pp., £16.95, September 2000, 0 300 08246 0
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... devoted herself to her salons and her writing: an Essai sur la liberté, a comparative study of Dante and Goethe, a history of the early Dutch Republic, three historical dramas, articles on politics, religion and morality, and her memoirs. This is an oddly monotonous period in both biographies, enlivened only by Marie’s wit. Her late comment on the great ...

Snakes and Leeches

Rosemary Hill: The Great Stink, 4 January 2018

One Hot Summer: Dickens, Darwin, Disraeli and the Great Stink of 1858 
by Rosemary Ashton.
Yale, 352 pp., £25, July 2017, 978 0 300 22726 0
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... and Frith was not alone among artists in aspiring to photographic accuracy or, as it seemed to Dante Gabriel Rossetti, literalism; he complained to William Bell Scott that most of the Academy pictures that year were ‘done in prose’. But this was what the general art-viewing public of the mid-Victorian years liked, a picture with a story they could ...

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