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“... devotees to complain that Americans have got him all wrong. As early as 1897, the radical John Jay Chapman presented him as a fellow iconoclast who had been miscast as an apologist for American selfishness, ‘embalmed in amber by the very forces he braved’. The tendency of biographers to make their own Emersons means that some academics dislike the ...”

“... write a critique of an Arthur Ransome book, climb the Tracker Tree, or spend a night alone in the woods and write about the experience. Classes were voluntary: a young radio buff who had chosen not to learn arithmetic finally begged the music master to teach him long division so that he could work out the relationships between current and resistance. But when ...”

“... interests confined to Shakespeare: among those the countess patronised were James Thomson, John Gay and George Frideric Handel (of whom she painted a portrait), all of them occasional guests at the Ashley-Cooper family seat, St Giles House, at Wimborne St Giles in Dorset.My interest was much piqued by the fact that I knew the Wimborne St Giles ...”

“... slab into which is carved a replica of the covenant signed by the 25 male settlers on the St John, which was carrying them to what they thought of as a ‘new world’. In stark contrast, a recent initiative by volunteers to memorialise what is known about the historical presence of enslaved people in the town has resulted in the installation of ...”

“... concerned with postwar Japan highly classified, in violation of its own laws. Most important, John Foster Dulles, President Truman’s special envoy to Japan charged with ending the occupation, wrote the peace treaty of 1951 in such a way that most former POWs and civilian victims of Japan are prevented from obtaining any form of compensation from either ...”

“... and reward the interest of a mass readership. Direction, sometimes amounting to misdirection, is John Mullan’s topic. ‘As the title of this book suggests, Dickens’s artfulness is often an almost impudent trickery.’ To illustrate what he means by artfulness amounting to trickery, Mullan draws on a rather different scene in Oliver Twist, in which ...”

“... with the gloss of apparent spontaneity. Working on this material with them was their producer, John Ammonds, the man who persuaded Morecambe to trust the camera, to play to it with his asides and use it as a mirror for his idiot grin. The other member of the team, their new writer Eddie Braben, was only rarely present. While Hills and Green had entered ...”

“... enable her to locate the severed head of her mother (Nivea, another symbol of purity) lost in the woods after a car-smash: this head goes into the hat-box in the basement. Clara is too pure to concern herself with her sons or with any domestic duties: after all, she has servants and Esteban pays them when he is not raping their daughters. Clara prefers ...”

“... his ‘Swallows’, meet the two Billies, an ancient man and his elderly son, at work in the woods above their holiday lake. But recounting the tale of their night out in 1907, in his first ‘real’ book, Bohemia in London, Ransome couldn’t have guessed that of those two struggling young literary journalists, Thomas would become a major poet, and he ...”

“... through Romantic writers, and that of the Gawain poet. On a walking tour in June 1818, in Cumbria, John Keats wrote to his brother, ‘I shall henceforth write more than ever, for the abstract endeavour of being able to add a mite to that mass of beauty which is harvested from these grand materials.’ When Gawain sets off into the wilderness, he is not moved ...”

“... then further fictionalising their situation in The New Machiavelli. The editor of the Spectator, John St Loe Strachey, a pillar of the National Social Purity Crusade (no, really), foamed at the novel’s ‘poisonous and pernicious teaching’, finding it ‘in its essence depraved’ (the book, it should be said, contains no description of sexual activity ...”

“... travel for ‘ladies’). This absence is exacerbated in the recent reprints, which have retained John Craxton’s characteristic cover designs, but omitted the arresting black and white photographs taken by Joan that were included in the first editions. Despite all this, Mani and Roumeli remain extraordinarily engaging books. This is partly thanks to Leigh ...”

“... is introduced to the delights of furniture restoration – ‘the pore and lustre of different woods … the frothed grain of burled walnut’ etc – isn’t, by Tartt’s standards, very long. All the same, the book leaves an odd taste. Much of the oddness comes down to the way it handles class, which is by mapping the assumptions of a Victorian novel ...”

“... by 1943. If his books now end up in charity shops alongside discarded copies of the F-Plan Diet or John Seymour’s Complete Book of Self-Sufficiency, it’s because the shimmering and peaceable ‘England’ he promised is not, after all, to be found waiting at the end of a deserted lane, or, if it were, we’d never know, because we’d be stuck in a traffic ...”

“... well-known cultural figures who had been his friends (Dylan Thomas, George Orwell, Eric Gill and John Middleton Murry), evoking them first separately and then in some slightly dizzying comparisons: I had seen Murry working, happily absorbed and with real skill, mending fences, sawing up logs (once, too absorbed), laying down barrels of Sauerkraut, cutting ...”