Search Results

Advanced Search

211 to 225 of 10395 results

Sort by:

Filter by:

Contributors

Article Types

Authors

In Praise of Student-Teacher Attraction

Cristina Nehring: Francine Prose, 29 November 2001

Blue Angel 
by Francine Prose.
Allison and Busby, 314 pp., £12.99, June 2001, 0 7490 0580 7
Show More
Show More
... books, among them 13 novels, Prose is frighteningly good at portraying the fears, affectations and self-delusions of her protagonists: the roles they play to sustain themselves, and the roles they play in front of others. At faculty dinners she tells us that ‘Swenson cherished those moments’ when people misunderstood his wife’s jokes, ‘for making him ...

Golden England

Martin Wiener, 3 December 1981

Condition of England 
by Lincoln Allison.
Junction, 221 pp., £12.50, August 1981, 0 86245 032 2
Show More
Show More
... of the piece is the negativism of fashionable thinking about the current state of England: healthy self-criticism, Allison objects, has become debilitating self-denigration. Chief offenders are those in the communications media for painting current affairs in the blackest colours. One industry whose decline Allison ardently ...

My space or yours?

Peter Campbell, 17 October 1996

Life on the Screen 
by Sherry Turkle.
Weidenfeld, 250 pp., £18.99, April 1996, 0 297 81514 8
Show More
Show More
... worlds’ and that ‘a nascent culture of simulation is affecting our ideas about mind, body, self and machine.’ Moreover, she believes that the changes she is tracking, far from being isolated, are part of a general change in the way we live and think. The context in which the culture of simulation must be understood is that ‘of the eroding ...

The View from Here and Now

Thomas Nagel: A Tribute to Bernard Williams, 11 May 2006

The Sense of the Past: Essays in the History of Philosophy 
by Bernard Williams, edited by Myles Burnyeat.
Princeton, 393 pp., £26.95, March 2006, 0 691 12477 9
Show More
In the Beginning Was the Deed: Realism and Moralism in Political Argument 
by Bernard Williams, edited by Geoffrey Hawthorn.
Princeton, 174 pp., £18.95, October 2005, 0 691 12430 2
Show More
Philosophy as a Humanistic Discipline 
edited by Bernard Williams and A.W. Moore.
Princeton, 227 pp., £22.95, January 2006, 0 691 12426 4
Show More
Show More
... a more illuminating form of reflective distance from our concepts and values through historical self-consciousness, which is an immersion in contingency. The history of philosophy itself is one part of this enterprise, and in Williams’s hands it becomes a subtle appreciation of ideas that may be fundamentally unlike anything we could think now, but that ...

Proverbs

William Ian Miller: Jon Elster, 10 August 2000

Alchemies of the Mind: Rationality and the Emotions 
by Jon Elster.
Cambridge, 450 pp., £14.95, March 1999, 0 521 64487 9
Show More
Show More
... of influence with regard to early versions of yourself, as if, to twist Harold Bloom, your early self now played an insurmountably glorious Milton to your later romantic phases? Did Shakespeare say to himself: ‘No way I can beat Hamlet, so why write again?’ Jon Elster wrote two gems in the 1970s and 1980s, Ulysses and the Sirens and Sour Grapes. Not that ...

Policing the Police

Fredrick Harris: The Black Panthers, 20 June 2013

Black against Empire: The History and Politics of the Black Panther Party 
by Joshua Bloom and Waldo Martin.
California, 539 pp., £24.95, January 2013, 978 0 520 27185 2
Show More
Show More
... assault and unlawful assembly. A columnist for the Oakland Tribune called the rioters ‘self-described anarchists’ and ‘wannabe Black Panthers’. The revolt in the aftermath of Grant’s murder is reminiscent of a bygone era in Oakland and other cities across the United States when black radicals enraged by police misconduct fearlessly ...

I Am Brian Moore

Colin Burrow, 24 September 2020

The Dear Departed 
by Brian Moore.
Turnpike Books, 112 pp., £10, April, 978 1 9162547 0 1
Show More
Show More
... often in the earlier fiction) he can seem to betray himself, not in the sense of giving his true self away, but the reverse. He tends to present experiences close to his own life through an irony so thick that it could serve in the place of the traditional disclaimer that ‘Any resemblance to actual persons, living or dead, is purely coincidental.’ The ...
... Some of Lawrence’s earliest paintings are self-portraits in the mould of Courbet – the painter as Artist. Latterly the role was deepened in its tragic aspect, the artist as Marsyas flayed. Lawrence’s gift to us, his perennial celebration of substance, richness, colour, the great blossoming of form – to use one of his own phrases – all in the name of painting, was never unattached from a sense of mortality ...

Short Cuts

John Sturrock: Philosophical Quick Fixes, 31 October 2002

... In your average bookstore, the volumes stacked by the dozen and sold under the heading of Self-Help are liable to be found quartered in the same part of the building as those falling under the less obviously improving rubric of Philosophy. It’s a little hard to see why, in the present age, when Philosophy has wrapped its professionalism aloofly around it and sneaked off down the corridor into the seminar room, casting sufficient doubt as it retreats from view on the mere existence of a self to make the notion of Self-Help seem at best paradoxical and at worst inconceivable ...

Words washed clean

David Trotter, 5 December 1991

From Puritanism to Postmodernism: A History of American Literature 
by Richard Ruland and Malcolm Bradbury.
Routledge, 381 pp., £35, August 1991, 0 415 01341 0
Show More
Show More
... to earlier and earlier writing, until there is little left that doesn’t speak, somehow, of self-renewal. Bradbury and Ruland maintain that American literature always has been and always will be ‘pre-eminently a modern literature’. Their history surveys the long march of self-renewals with the benevolent ...

At Tate Modern

Peter Campbell: Gauguin, 21 October 2010

... Wear palm leaf drapery Under the bam Under the boo Under the bamboo tree. Paul Gauguin, ‘Self-Portrait with Glasses’ (1903) For Sweeney, Gauguin’s women represent the crudest version of the myth of island bliss. But you don’t have to look long at Gauguin’s work (a retrospective is at Tate Modern until 16 January) to realise that bliss is ...

Short Cuts

Andrew O’Hagan: The Happiness Project, 22 April 2010

... that feelings of crapness might be shooed away for ever by reading the right book. I’m talking self-help, auto-improvement, personal growth: the corner of the bookshop where sad-eyed people, credit card at the ready, are to be seen lifting down copies of Only One Shot: Aligning the Inner Soul with Action: How to Re-engineer Your Existence, Design a ...

An American Genius

Patrick Parrinder, 21 November 1991

The Runaway Soul 
by Harold Brodkey.
Cape, 835 pp., £15.99, November 1991, 0 224 03001 9
Show More
Show More
... Fifties, has been slowly maturing not a well-tempered masterpiece but the garrulous, profligate self-celebrations of a precocious adolescent who never grew up. It is not even clear why the novel ends where it does, since ‘let us pause’ is all the narrator says in the middle of his last paragraph. Few of those lulled by the publicity into buying this ...

Signor Cock

Roy Porter, 25 June 1987

Intercourse 
by Andrea Dworkin.
Secker, 259 pp., £10.95, June 1987, 0 436 13961 8
Show More
Show More
... clear, coherent, profound, shocking.’ Is it? Or is it just another barrage of bombast whose self-indulgent hyperbole undermines its own insights? I take it for granted that no one is going to deny this late in the day the underlying premise that women have been oppressed down the ages, and that sex has been one of the instruments of that ...

Seeing yourself dead

Nicolas Tredell, 21 February 1991

Love in a Life 
by Andrew Motion.
Faber, 62 pp., £11.99, March 1991, 0 571 16101 4
Show More
Three Variations on the Theme of Harm: Selected Poetry and Prose 
by Douglas Oliver.
Paladin, 255 pp., £6.99, November 1990, 0 586 08962 4
Show More
Spoils of War 
by John Eppel.
Carrefour Press, 48 pp., August 1989, 0 620 13315 5
Show More
Music for Brass 
by Brian Waltham.
Peterloo, 64 pp., £5.95, November 1990, 1 871471 20 6
Show More
Lapidary 
by Rosamund Stanhope.
Peterloo, 64 pp., £5.95, November 1990, 1 871471 19 2
Show More
Show More
... how far we should see these poems as the limbs of Osiris, to be gathered into the unity of one self, story or structure. That was once the favoured approach to Modernist poetry; but Motion’s poetry is, in some ways at least, Post-Modernist. It gestures towards a coherence that is not achieved, that breaks down in blankness, disconnection and ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences