Search Results

“... the ceremony would be ‘inconvenient’. Senna, a young Brazilian woman told the Independent’s Richard Williams, ‘was our hero. Our only one.’ Senna’s triumph, like Pele’s before him, was to have beaten the North at one of its own games. And the North, angry Brazilians wanted to believe, had killed him. A million or so of Sao Paulo’s 15 million ...”

“... atmosphere on arrival. It was discovered later that engineers working for the contractor, Lockheed Martin, had programmed the software to give altitude data in imperial units, while those of its partner, Nasa, had used metric – a three hundred million dollar oops. But no one died. And it is death or its prevention, more so even than money, that is the ...”

“... the US as a sinister maritime republic with an all-powerful navy (Ahab is a fighting Quaker like Richard Nixon), Marvell hints at what the future may hold for a Commonwealth that has no institutional continuity. The theme of wounded male narcissism – the mower on a hot day mown, self-injured – may be one way of giving imaginative shape to what it feels ...”

“... 1965 people had long been curious about this very famous man. Collections such as the one made by Richard Marsh and Tambimuttu for his 60th birthday in 1948 contained much pleasant anecdote, and there were respectful reminiscences in Allen Tate’s memorial volume of 1966. Meanwhile, off the page, there was some gossip about such matters as a putatively vast ...”

“... to get into an argument about anything and anyone, even with her former lover and lifelong friend Martin Heidegger. Clearly, she was prepared to take on nearly everyone close to her in New York when her Eichmann book appeared in 1963. Like most others he knew, Podhoretz found much to disapprove of in the book. Besides her many disparaging references to ...”

“... fiction of Elie Wiesel to George Steiner’s ruminations in In Bluebeard’s Castle and Richard Rubenstein’s The Cunning of History. But to insist on the uniqueness of the event is a short step to insisting on the exclusiveness of interpretation which asserts an empathetic privilege and even a Jewish proprietorship in the subject. Seven years ...”

“... When​ Richard Wright sailed to France in 1946, he was 38 years old and already a legend. He was America’s most famous black writer, the author of two books hailed as classics the moment they were published: the 1940 novel Native Son and the 1945 memoir Black Boy. By ‘choosing exile’, as he put it, he hoped both to free himself from American racism and to put an ocean between himself and the Communist Party of the United States, in which he’d first come to prominence as a writer of proletarian fiction only to find himself accused of subversive, Trotskyist tendencies ...”

“... published a generation ago, in 1959, which includes over a hundred pages on Spanish painting by Martin Soria. Brown’s account differs from Soria’s in several important respects. In the first place, it makes some significant changes to the canon. One of the artists revalued is Juan Bautista Maino (a follower of Caravaggio who more or less gave up ...”

“... when we drove through the Deep South en route to Mexico. In his ‘Letter from Birmingham Jail’, Martin Luther King had called it the biggest segregated city in the United States; it was certainly the meanest. After weeks of Freedom Riders and crusading black children, Governor George Wallace had called out the state guard to help Police Chief Bull Connor ...”

“... readiness to immerse himself in the archives and tease out the meaning of details reminds me of Richard Cobb, though perhaps a more appropriate comparison would be another famous archival mole, Jules Michelet, who also wrote about women and the sea, and tried to unravel the substance from which France was made. As Michelet put it in a famous passage, which ...”

“... a phrase, a little high culture, but it has eerie undertones if you think about it. The soon-to-be Richard III had a very particular discontent in mind, and he had extreme solutions for it. Right at the end of the movie, a group of children in a classroom rise in turn, each saying, ‘I am Malcolm X,’ and of course this is attractive in terms of the fairy ...”

“... a powerfully positiviste plot leading up to the ‘turning point’ in 1841, when Thomas-Henri Martin, ‘a truly professional historian’ consigned Atlantis to ‘a different world, one to be found not in the spatial domain but in that of thought’, and thus ‘sounded the death-knell for Atlantomania’; only, of course, he didn’t. It’s not that ...”

“... Copland. The following year her choreography for Oklahoma! revolutionised Broadway. The composer Richard Rodgers had just left his lyricist Lorenz Hart for Oscar Hammerstein II, and the new team realised that the usual dance razzmatazz wasn’t going to be right for a show about cowboys and farmers at the turn of the century. Before Rodeo, de Mille, who was ...”

“... ends. Four years of rage and lies; four years of racism and xenophobia so coarse and inflammatory Richard Nixon might have blushed; four years of dismantling economic and environmental regulation, packaged as a populist revolution on behalf of the forgotten (white) American; four years of ‘law and order’ indistinguishable from moral and political ...”

“... defying body and convention to ‘soar like an eagle’ in the way of the blessed inebriate in Richard Thompson’s song ‘God Loves a Drunk’ (‘His shouts and his curses they are just hymns and praises/To kick-start his mind now and then’)? Timothy Neat writes not in order to leave his late friend in a heap on the floor, least of all the floor of ...”