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“... praised by Dame Edith Sitwell (Ah those Sitwell siblings, meddling in things Cuban!) and Graham Greene and Tyrone Power. (Power wanted to write, produce and star in successive film versions of Carpentier’s Kingdom and Lost Steps but he lost the crown to a coronary.) Something peculiar happened with Carpentier and Cuba: he loved the island but ...”

“... Hamnet, of whom nothing is known beyond the poignant fact of his death at the age of 11 in 1596. Graham Holderness rises to this challenge with an eight-page meditation centred on the echo of ‘Hamnet’ in ‘Hamlet’: the names have no etymological link, but one senses their emotional assonance, to which the old theatrical tradition that Shakespeare ...”

“... anti-Communist nation. Documentation of these murky activities is predictably scarce, but we have Graham Greene’s fictional account, The Quiet American, originally published in 1955, the insights in which still bite. Greene’s narrator, Thomas Fowler, a cynical British journalist who smokes opium, keeps a teenage ...”

“... Economy was all. He did not revisit Poland to write The Colour of Blood, but used scenes from Graham Greene’s account of his visit in the 1950s. (A review of Greene’s gave him the original idea for Black Robe. He and Greene admired each other greatly.) He did not visit Haiti ...”

“... whoops. This quickly became standard and a customary feature of live shows today, particularly Graham Norton’s, with the audience readily entering into the subterfuge, knowing that they are part of the event as they would be at a pop concert. It’s not a big step, therefore, from helping the show along in this way to manipulating competition results to ...”