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“... Gallery, then often still attributed to Giorgione, she refers to its possible influence on George Frederic Watts in the 1860s and Edward Burne-Jones in the 1870s. It also influenced Pater’s own fiction, as readers of Marius the Epicurean (1885) will appreciate: the young knight Cornelius tries on his armour ‘and as he gleamed there amid that old ...”

“... known for the photographic work he had published in Europe. In Paris he met Meissonier, the painter most famous for his scrupulous realism. He was expert in large, precisely researched military scenes, many of them historical, where animals and men appeared in correct gear and posture, and period portraits were deftly inserted. His research included the ...”

“... that, there is something very deep that is yet to be appreciated by Westerners.’ George Harrison and Ravi Shankar at the Royal Albert Hall on 23 September 1974. Images of Shankar – sitting cross-legged on a carpet, playing his sitar – have become synonymous with Indian classical music, yet when his story is told it too often focuses on ...”

“... Miller is clearly in pursuit of genealogy, for example, when she claims that the Late Victorian ‘George Egerton’ (Mary Chavelita Dunne), the Edwardian May Sinclair and the Modernist Virginia Woolf all strove ‘to find a new kind of realism – one which would allow them to move behind the surface of external reality to reveal the truth of modern women’s ...”

“... with republicanism, and was as critical of the ‘principles and practice’ of the leading painter of the French Revolution, Jacques-Louis David, as he was of Repton and Brown. In discussions of painting Knight professed himself a colourist. He disliked the contemporary fashions for heroic subjects, statuesque figures, the rigidities of planar ...”

“... On the evening of 26 April 1937, George Lowther Steer, a correspondent for the Times, was having dinner with other reporters at the Torrontegui Hotel in Bilbao. Sometime after nine, a distraught Basque official rushed into the dining-room: ‘Guernica is destroyed,’ he told them. The town was still burning when the journalists got there ...”

“... complements her book The ‘Shepheards Nation’, in which she shows Spenser’s literary heirs George Wither, William Browne and the MP Christopher Brooke co-ordinating political with poetic pressure on the Crown at moments of political turmoil in the 1620s. Or there is 1667, when Marvell’s Last Instructions to a ...”

“... sense of human futility and his dream-like obsession with punishment, noting that practical George Dance used the drawings when designing Newgate and that De Quincey, recalling Coleridge’s commentary on them, got the facts wrong but captured the spirit of the drawings, believing them to represent Piranesi’s dreams. ‘Thus the dreams of men engender ...”

“... industry or with the state, for they require many more resources than the tools of writer or painter. As the Marxist Pierre Kast put it in 1951, in the second issue of Cahiers du Cinéma,‘the major problem is acquiring the wherewithal, and the restrictions implied by this have absolutely nothing in common with the kind of formal constraints imposed by ...”

“... hatred of orchids and his views on Darwin? Why did he praise Elizabeth Barrett Browning, and not George Eliot?), that we need to focus more accurately. We get precious little of that kind of definition from Kemp. Instead, we are presented with a tiring stream of second-hand generalisations. One of the consequences of Kemp’s recoil from morbus Ruskinianus ...”

“... vengeance for his misfortunes. A second stab at an artistic future, this time as a portrait painter in Bradford, proved equally abortive: it was characteristic of Branwell’s blighted career that he took up portrait painting at just the point when the industry was being killed off by the daguerreotype. In any case, he spent most of his time engaged in ...”

“... brewer and a fellow Quaker of Lee’s, Parkinson had begun to demonstrate promise as a flower painter. Banks was on the look-out for such talents, to employ on the illustrating of his natural-history collections; and having tried him out on his zoological material, lately brought back from Newfoundland and Labrador, he decided he was a suitable recruit ...”

“... touring players, and began her own stage career at the age of six. Ten years later, she married a painter three times her age; they separated within ten months. Three years after that, she took up with the architect Edward William Godwin. They did not marry, but had a daughter and son together, and the expense of their upkeep drove her back to the stage. Her ...”

“... New York, the South or the West. It has often been said that Isabel Archer is an imitation of George Eliot’s Dorothea Brooke, but it is apparent from all the novels of James which have no resemblance to Middlemarch, and from their Emersonian echoes, that The Portrait of a Lady could have brought the theme of aspiration to the point it does without the ...”

“... initial response to Coleman in the jazz world was captured with admirable candour by the composer George Russell, in Shirley Clarke’s documentary Made in America4, as ‘a feeling of apprehension. A feeling of being threatened by this mind of yours.’ Russell confessed to Coleman that ‘when I finally met you … my worst dreams came true. Here was a ...”