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“... back to England. Among them were the ship’s captain, David Cheap; his second-in-command, Robert Baynes; the chief gunner, John Bulkeley; the carpenter, John Cummins; and three young midshipmen, John Byron, Alexander Campbell and Isaac Morris. They returned home in rival groups, by different routes, telling conflicting stories of exactly what had ...”

“... to get to the bottom of this phenomenon in his lively first collection, The ‘O’o’a’a’ Bird. The pale, red-haired beauty of his ‘Ur-Aisling’ is so thoroughly archetypal that she appears ‘when the world had not yet happened’ and invites the poet to create ‘a nation’: So I thought ‘Fine!’ and did the lot. First I laid mythologies ...”

“... the deepest parts of the self. ‘Do you know what gives me no peace nowadays?’ she wrote to Robert Seidel in 1898: the fact that people, ‘when they are writing, forget for the most part to go deeper inside themselves’. ‘I hereby vow,’ she continued, ‘never to forget when I am writing … to go inside myself.’ She was talking about the ...”

“... I dwell,’ and you see why the line disgusted a generation that valued irony and understatement. Robert Lowell told Spender that the line should be ‘I would think continually of those who are truly great’ because, as he patiently explained, ‘one cannot think of the great all the time, though one may wish to do so’; but the line, with its illogic and ...”

“... repulsive, and dressed in an outlandish way. The poet Jean Tortel remembered her as ‘a kind of bird without a body, withdrawn, in a huge black cloak which she never took off and which flapped around her calves’. Weil never defined herself as a woman, any more than as a Jew.She graduated from the École Normale Supérieure in 1931, during the brief prewar ...”

“... meantime not dealt so kindly with Mary Kathleen Macrory Ackland – universally known as Molly. Robert Ackland’s charisma had always had a punitive edge: he insisted that his daughter accompany him on his rounds in the surgical wards; and then afterwards, according to Warner, to the brothel he frequented, where she would be told to wait in the ...”

“... sore annoyèd, groping in that griesly night. (These avian warnings derive ultimately from the bird auguries of ancient myth.) Raban hears later that the vultures that followed him ‘never cross the state line. They’ll fly out to mid-channel, and the moment they touch Iowa, they’ll turn back.’ As Faust and the Inferno testify, even the most powerful ...”

“... a Mrs Bennet or an Emma, Sophia Ainger the vicar’s wife does her best to manoeuvre Rupert Stone-bird into the arms of sister Penelope. Her expedients include a dinner party at the vicarage, the Christmas bazaar, an excursion to Rome after Easter for the parish stalwarts. Stonebird proves as impervious as his name, or rather begins to develop instead a ...”

“... and concerns of the near-nonsensical Cave of Spleen episode in The Rape of the Lock. The fact that Robert Southey wrote enthusiastically about Taylor in his Lives and Works of the Uneducated Poets (1831) doesn’t do much to establish the Water-Poet as an unacknowledged influence either; although he does briefly quote from Sir Gregory Nonsence, Southey is ...”

“... Snow Man’, my favourite painting Pieter Bruegel’s Winter Landscape with Skaters and Bird Trap. The film scene that ran on a neverending loop in my head was the snowy automobile and sleigh ride in The Magnificent Ambersons; my perfect exit from this world – at 19 one plans such things – was Gerald’s long walk into the Alpine blizzard ...”

“... Motherwell), Cage was well placed to soak up ideas. He played chess with Duchamp, and befriended Robert Rauschenberg, whose notorious White Paintings – a series of rectangular canvasses painted plain white – have often been seen as the visual counterpart to 4’33”. Cage recognised that the ‘emptiness’ of Rauschenberg’s paintings was no such ...”

“... edition of this book. Nor, in some sense, can it even be attempted. The Lyons translation, as Robert Irwin explains in his introduction, returns to the Arabic version that Burton used, restores the interjected outbursts of song and bawdy that Galland skipped, and sternly avoids the free and easy habits of some of his successors. It clearly aims to ...”

“... the first. The South Bank Show was also reviewed in the Spectator by Richard Ingrams, as follows:[Robert] Redford was followed onto the show by young Martin Amis, a rather scruffy looking man without a tie. I was baffled as to why his new novel should be given about half an hour of publicity when there are so many other things worthy of attention ... Amis ...”

“... hold their brothers cheap.’ An accomplished sonneteer, Cullen was a devotee of Keats, but as Robert Hillyer, who taught him during his brief stay at Harvard, made clear, Cullen experimented with a range of forms and published the results in Copper Sun. In his book In Pursuit of Poetry Hillyer wrote: ‘There they all are, ballad stanzas, heroic ...”

“... would often delay the shooting of a scene because he wanted to discuss every element in detail (Robert Redford, who played the Sundance Kid, just wanted to hurry up and finish). ‘Then what Paul would do with the scene would have no relationship to what we’d been talking about for the last half-hour.’ He put far more agony and effort into his ...”