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“... begins to look. Rael praises a risky, revisionist essay by the American architect Lebbeus Woods on Israel’s separation wall published in 2004. It presupposes that Israel has reconsidered its position, decided not to complete the wall, and that architects and builders on both sides are producing a welter of add-on features, alternative uses and ...”

“... Years ago Sir John Plumb declared: ‘The past is dead.’ He didn’t add: ‘long live history.’ But try as historians will to put the past behind them, others are always resurrecting it and abusing it for their own purposes. Take the mindless mouthings of ‘Victorian values’, the ‘good’ (or the ‘bad’) old days, the Dunkirk spirit, the ghost of Ramsay MacDonald – in all such sloganising, the ghosts of the past are conjured up to clinch arguments about the present ...”

“... unfavourable impression’.O’Connor’s ideas about her writing were unambiguous. In a letter to John Lynch, a reviewer and an academic at Notre Dame, in 1955, she says: ‘I feel that if I were not a Catholic, I would have no reason to write, no reason to see, no reason ever to feel horrified.’ She described herself as a ‘hillbilly Thomist’: like ...”

“... American empire which she sees as essentially – and uniquely – an economic empire. The Bretton Woods agreement, Gatt and the establishment of the IMF and World Bank combined to give it institutional shape and expression. The classic entity of the new American empire is the sovereign nation-state, rather than the colony. Other commentators on globalisation ...”

“... nostrils and down into their stomachs. They called this ‘intensified assisted feeding’. Dr John Edmondson, the commander of the US Naval Hospital at Guantánamo at the time, swore an affidavit saying: ‘The actual feeding process, both at the detention hospital and on the cell block, is very voluntary.’ (Edmondson left Guantánamo early in 2006. On ...”

“... While John Kasarda shares the title page of this scientific romance masquerading as a work of urban theory, Aerotropolis was written by Greg Lindsay alone. Kasarda, a professor at the University of North Carolina’s business school, may be a peculiar sort of Johnson, but Lindsay, a business journalist, is nonetheless his committed Boswell ...”

“... childish pursuit: Candleford Green was but a small village and there were fields and meadows and woods all around it … she longed to go alone far into the fields and hear the birds singing, the brooks tinkling, and the wind rustling through the corn, as she had when a child. To smell things and touch things, warm earth and flowers and grasses, and to stand ...”

“... the 1960s and 1970s, the works at Ravenscraig employed as many as 13,000 men. Deborah’s father, John, was a miner’s son and left school at 14 to work at Colvilles, the mill that made the girders that hold up Tate Modern. He lost his nerve, Deborah discovered, after rescuing a fellow worker who had been nearly cut in half; so he ran away to Essex, where he ...”

“... to know nothing of ‘the world’. ‘I am a child you know,’ he tells the young wards of John Jarndyce. ‘You are designing people compared with me.’ Skimpole’s main similarity to his real-life source, apart from a talent for accepting handouts, is his conversational manner, which is peculiarly fanciful, fluent and charming, but there are other ...”

“... of any literary stature were only too aware of the tradition of publishing correspondence. John Evelyn, for example, arranged his manuscript letter books to resemble a collection on the classical model. The privacy of the letter was a vexed issue. Once cast into the mailbag it was lost to the sender but might never arrive: ‘I am very uneasy about the ...”

“... In the summer of 1831, James Woods, master of St John’s College, Cambridge, and Wordsworth’s former tutor, decided that his college should have a portrait of its most celebrated living alumnus. He commissioned Henry William Pickersgill – an apprentice Spitalfields silk-weaver turned Royal Academician – to produce a full-length oil painting of Wordsworth in an appropriately sublime setting, and in the early autumn of 1832 Pickersgill made the journey to Rydal Mount ...”

“... gallant men, and I thought them fools.’ What, I wonder, did these ‘fools’ think of John Milton as he watched and judged and yet abstained from their pleasures? Towards the end of his Latin poem on the death of his university friend Carlo Diodati, Milton expresses the fear that he might sound ‘turgidulus’. He then launches into a description ...”

“... travels in America in 1831, the other a picaresque romance about an Englishman called John Larrit (known as Parrot for his talent as a mimic) who is suddenly and brutally torn from an idyllic childhood as the son of an itinerant printer in late 18th-century Devon and transported to Australia, where he grows up to become a topographical artist and ...”

“... simple identification of the praiser of Shakespeare, upon whose words the whole dedication turns: John Webster, in the note ‘To the Reader’ before The White Devil. Browning’s Elizabethanised play has its affinities with Webster: moreover, it was canny of him to emend Webster’s prefatory words so as to reduce them to a single-minded praise of ...”

“... fish are bleak.’ On the other hand, there can be hours of nothing and these are perfect too. John and I were in our twenties. We had parked in the lee of a barn, already not talking, pulled on our waders in the moonlight, and stomped off through the churned-up gateway as though we could see exactly where we were going. The Torridge is a beautiful ...”