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“... well before Wright. Homosexual smears were directed against Edward Heath, Jeremy Thorpe, Norman St John Stevas and Humphrey Berkeley; bogus bank accounts (showing corrupt earnings) were contrived for Edward Short and Ian Paisley; Wilson was seen as the beneficiary of, and a possible participant in, the assassination of Hugh Gaitskell; lists were drawn up of ...”

“... his eyes lasered. If you’ve watched D.A. Pennebaker and Chris Hegedus’s 1981 documentary about John DeLorean, another car man with a magic touch, you may recognise this as the moment where the hitherto unprepossessing DeLorean sheds his corporate image, making himself over as an American playboy with model girlfriends and a sexily enhanced new ...”

“... a verbal inventiveness greater than that of James Joyce. This is to demean by overstatement, as John Stuart Mill famously demeaned Harriet Taylor in his Autobiography by his reckless eulogising of her.Hélène was also accused by those who had known the pre-war Althusser as a decorous lycéen and good Catholic of having ...”

“... with them, preferring the society of good-natured demi-mondaines of a motherly sort, like Cora Taylor, who had run the Hotel de Dream in Jacksonville, Florida, and who became his companion, possibly his wife. Crane indeed planned his courtship of an attractive society debutante, Nellie Crouse, in purely literary form, in a series of seven letters, ending ...”

“... The places​ were Philadelphia and New York, the names were John Coltrane, Miles Davis, Bill Evans and a few others, heirs to Charlie Parker and Dizzy Gillespie, spoken of with awe in every version of the story. Something called West Coast jazz, thought by many to be an oxymoron, was making itself heard in the persons of Gerry Mulligan, Chet Baker, Shelly Manne and Dave Brubeck ...”

“... surprises. More than once, we come across the scene from the end of Ford’s The Searchers, where John Wayne catches up with the girl who’s been stolen by the Indians. We think he’s going to kill her, because he hates the idea of contamination, however innocently incurred. He picks her up and everything changes. He carries her back towards home, all ...”

“... For some in the audience, this was more than enough. ‘That means nigger citizenship,’ John Wilkes Booth told his companions. Three nights later, he followed the president to Ford’s Theatre and shot him in the head. On the morning of 11 April, Lincoln met privately with General Benjamin Butler of Massachusetts. The subject of the meeting went ...”

“... three evenings in September to his achievements as writer and film-maker. Surprisingly, D.J. Taylor doesn’t even mention him in his new survey of post-war fiction. In the late Fifties and after, Kingsley Amis, Johns Wain and Braine, Alan Sillitoe and Co struck a new, demotic note. The ‘traditional’ English novel of good and bad manners was ...”

“... like Beaverbrook who ‘failed to secure the re-election of Churchill in 1945’. The entry on John Masefield strikes a new note. ‘In “Sea Fever” he wrote: “I must go down to the seas again, to the vagrant gipsy life,” but, in fact, he had settled in London, and in 1907 began to work on the Manchester Guardian.’ Naturally one turns to Yeats to ...”

“... arty but commercially viable biopic about a man – David Helfgott (played by Geoffrey Rush, Noah Taylor and Alex Rafalowicz) – who is abnormally inarticulate. Helfgott’s very first words are: ‘Kissed them all, I kissed them all, always kissed cats, puss-cats, kissed them, always did; if a cat’d let me kiss it, I’d kiss it – Cat on a fence I’ll ...”

“... does little to resolve. The Golden Age, the Land of Cokaygne, Joachimism, the Revelation of St John, the free-market economy, socialism and Marxism, democracy, America and the Soviet Union: these and more are all dragged into a history of what he calls ‘visions of ideal otherness’ which begins with Hesiod and ends sometime about now. Its great merit ...”

“... believe that the motive was sadism. Nor does he think, like Hitchcock’s first biographer, John Russell Taylor, that Hitchcock, far from enjoying the distress he was able to inflict on them, identified strongly with his victims. The women in the movies are, Wood proposes, ‘whatever we most fear to lose’. This ...”

“... the campaign, as a series of media events contrived to produce a predetermined image. Even when John Major defiantly got out his own soap box, it was an artifact, a television prop, a designer soap box. It was a surrender to show business, a triumph of trivia, a debasement of debate. Never in the history of electoral conflict had so little been said by so ...”

“... the sea. Stevenson looked from the top window and saw his characters out there: Billy Bones, Long John Silver and the emerging cast of Kidnapped. The Channel was busy with the ghosts of real seafarers, such as the smuggler Slippery Rogers, who once came to Bournemouth in a boat rowed by forty men, carrying thirty thousand gallons of Dutch brandy. For ...”

“... he with this empty trope that he rearranges it several times within the next four pages. Elizabeth Taylor sitting up late at night is presumed to be ‘watching the falling stars with a certain sense of sympathetic identification’, while other guests show contempt on discovering that ‘Jagger, despite the waves of women he had rolled through, could not swim ...”