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Heroes

Pat Rogers, 6 November 1986

Hume and the Heroic Portrait: Studies in 18th-Century Imagery 
by Edgar Wind, edited by Jaynie Anderson.
Oxford, 139 pp., £29.50, May 1986, 0 19 817371 7
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Augustan Studies: Essays in honour of Irvin Ehrenpreis 
edited by Douglas Lane Patey and Timothy Keegan.
University of Delaware Press, 270 pp., £24.50, May 1986, 9780874132724
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The 18th Century: The Intellectual and Cultural Context of English Literature 1700-1789 
by James Sambrook.
Longman, 290 pp., £15.95, April 1986, 0 582 49306 4
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... have relished. There is, for instance, Roger Lonsdale, presenting with due flourish a work by the painter and art theorist Jonathan Richardson the elder, and illuminating Richardson’s own little-known life (down to a new birth-year) as well as the career of his young friend Pope. Lonsdale never writes without managing to teach one something, a critical ...

Porcupined

John Bayley, 22 June 1989

The Essential Wyndham Lewis 
edited by Julian Symons.
Deutsch, 380 pp., £17.95, April 1989, 0 233 98376 7
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... wit in verse. After flowery and carefully euphonious Edwardian fine writing, the paragraphs of a George Moore or of Chesterton himself with his well-turned paradoxes, Lewis’s style – expressed by the apparent lack of any – might indeed have seemed the thing. ‘The style is not, as it looks, artless, but the product of careful design, devised as the ...

How was it for you?

David Blackbourn, 30 October 1997

Man Without a Face: The Memoirs of a Spymaster 
by Markus Wolf and Anne McElvoy.
Cape, 367 pp., £17.99, June 1997, 0 224 04498 2
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The File: A Personal History 
by Timothy Garton Ash.
HarperCollins, 227 pp., £12.99, July 1997, 0 00 255823 8
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... was a global player of sorts. Wolf placed two major agents in the US (‘Piano’ and ‘Painter’, both now dead, and unnamed here), but admits that his people never really got the hang of working in America. Greater success was achieved in recruiting US servicemen in Germany with access to signals intelligence, and in turning the CIA’s East ...

He speaks too loud

David Blackbourn: Brecht, 3 July 2014

Bertolt Brecht: A Literary Life 
by Stephen Parker.
Bloomsbury, 704 pp., £30, February 2014, 978 1 4081 5562 2
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... he read what you would expect a clever young man to read – the French symbolist poets, Stefan George, Rilke, Wedekind, Nietzsche – but he was also interested in street cries and fairground songs, whose rhythms found their way into his earliest ballads. When war broke out he was attracted by the idea of heroic sacrifice, and the first money he earned ...

Coruscating on Thin Ice

Terry Eagleton: The Divine Spark, 24 January 2008

Creation: Artists, Gods and Origins 
by Peter Conrad.
Thames and Hudson, 529 pp., £24.95, September 2007, 978 0 500 51356 9
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... all the more poignant. If you wanted an example of non-alienated labour, you looked to the poet or painter. The work of art itself could be seen as a peaceable utopian commonwealth, its various elements blended into unity without violence to their particularity. Like the good society, it combined freedom and community. The aesthetic was the last refuge of ...

Wake up. Foul mood. Detest myself

Ysenda Maxtone Graham: ‘Lost Girls’, 19 December 2019

Lost Girls: Love, War and Literature, 1939-51 
by D.J. Taylor.
Constable, 388 pp., £25, September 2019, 978 1 4721 2686 3
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... Taylor sums it up) ‘boyfriend a is a peer of the realm while boyfriend b is a penniless painter.’ This, Taylor writes, was ‘the war-era bohemian life in which glamour and sophistication and something very close to poverty [were] inextricably combined’. All four at some point shared a bed with Lucian Freud; at least three of them slept with ...

Mistrial

Michael Davie, 6 June 1985

The Airman and the Carpenter: The Lindbergh Case and the Framing of Richard Hauptmann 
by Ludovic Kennedy.
Collins, 438 pp., £12.95, April 1985, 0 00 217060 4
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... crossed Newfoundland, 33 hours before he landed in Paris. The French President decorated him; King George V received him at Buckingham Palace; President Coolidge sent a cruiser and an admiral to bring him home. In Chesapeake Bay, Mr Kennedy tells us, the cruiser was met by four destroyers, two army dirigibles and a fly-past from all three services. Ashore in ...

Woman in Love

Marghanita Laski, 1 April 1983

... That group was the aristocracy of English artists and intellectuals. Her great-uncle was the painter Rudolph Lehmann, friend of Robert Browning and George Eliot. Her father, R.C. Lehmann, was a well-known writer and man of letters. Of her siblings, a younger sister is Beatrix Lehmann, the actress, her younger brother ...

Look, I’d love one!

John Bayley, 22 October 1992

Stephen Spender: A Portrait with Background 
by Hugh David.
Heinemann, 308 pp., £17.50, October 1992, 0 434 17506 4
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More Please: An Autobiography 
by Barry Humphries.
Viking, 331 pp., £16.99, September 1992, 0 670 84008 4
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... form of ‘stories’. Thus it is clear that Spender was himself highly entertained by what the painter William Coldstream describes in his diary as a ‘slightly sticky’ party given by Benjamin Britten in Hallam Street. Present as well as the Coldstreams, and Spender and his then wife Inez, were Auden and Isherwood, their new boyfriends, and Peter Pears ...

Destroy the Miracle!

Lorna Scott Fox: Manuel Rivas, 19 May 2011

Books Burn Badly 
by Manuel Rivas, translated by Jonathan Dunne.
Vintage, 592 pp., £8.99, February 2011, 978 0 09 952033 7
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... in a prison camp (as Márquez might have it), but sleight of hand. Myth has been killed off, the painter Sada announces, remembering that a snow-white whale appeared in the port when he was a child, only to get shot. ‘“Ready! Aim! Fire! Destroy the miracle!” That’s right. He’d shout there were no sirens left in Galicia because we’d eaten them ...

Nothing could have been odder or more prophetic

Gillian Darley: Ruins, 29 November 2001

In Ruins 
by Christopher Woodward.
Chatto, 280 pp., £12.99, September 2001, 9780701168964
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... a dull farmhouse. Genuine remnants of Leptis Magna were erected at Virginia Water, to please George IV. The divide between antiquity and artifice, ancient and modern, was becoming increasingly blurred. Literary Romanticism, like the Picturesque, borrowed its tone of mystery from the ramshackle ruins of Gothic religious establishments. With a bit of ...

The Perfect Plot Device

Dinah Birch: Governesses, 17 July 2008

Other People’s Daughters: The Life and Times of the Governess 
by Ruth Brandon.
Weidenfeld, 303 pp., £20, March 2008, 978 0 297 85113 4
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... better get me a grey frieze livery and a straw poke, such as my aunt’s charity children wear.’ George Eliot’s Gwendolen Harleth is sour because it looks as though she will have to support her family by teaching the daughters of a bishop, but most would have shared her depression at the prospect. The efforts of the governess were exploited and ...

At Tate Liverpool

Marina Warner: Surrealism in Egypt, 8 March 2018

... the war felt like before the victory of the Allies at El Alamein. In his Levant Journal the poet George Seferis, who was attached to the Greek government in exile in Cairo after Greece had capitulated, recalls grim scenes of panic and disorder as the British, fearing imminent defeat and a German invasion, evacuated thousands of civilians across the border to ...

Down the Telescope

Nicholas Penny: The Art of Imitation, 24 January 2019

Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War 
by Elizabeth Prettejohn.
Yale, 286 pp., £45, June 2017, 978 0 300 22275 3
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... Gallery, then often still attributed to Giorgione, she refers to its possible influence on George Frederic Watts in the 1860s and Edward Burne-Jones in the 1870s. It also influenced Pater’s own fiction, as readers of Marius the Epicurean (1885) will appreciate: the young knight Cornelius tries on his armour ‘and as he gleamed there amid that old ...

Bought a gun, found the man

Anne Hollander: Eadweard Muybridge, 24 July 2003

Motion Studies: Time, Space and Eadweard Muybridge 
by Rebecca Solnit.
Bloomsbury, 305 pp., £16.99, February 2003, 0 7475 6220 2
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... known for the photographic work he had published in Europe. In Paris he met Meissonier, the painter most famous for his scrupulous realism. He was expert in large, precisely researched military scenes, many of them historical, where animals and men appeared in correct gear and posture, and period portraits were deftly inserted. His research included the ...

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