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“... sense of humour’: a phenomenon everyone considers to be distinctive but no one can define. As David Stubbs writes in Different Times, his impressive survey of British comedy on stage, radio, film and television, ‘it’s not so much a case of Britain producing comedy as comedy producing Britain.’ The book provides a good opportunity to look at our ...”

“... and friend. There are at least two reasons for this. The story has often been told, notably by David Cannadine, of how the long agricultural depression broke the power of the British aristocracy, but it also drove tenant famers and labourers off the land and into the cities and suburbs; a million or more had emigrated by 1914. As a legacy of this flight ...”

“... written when he was still a schoolboy at Winchester, and the much-derided Sir Richard Blackmore. Johnson later respected Blackmore’s The Creation (1712), which for Guest illustrates the route to divine wisdom through demystifying natural philosophy. Guest wisely doesn’t dwell too long on these individual cases, but her categories may occasionally seem a ...”

“... Dryden’s as much as Romantic ‘imagination’ differed from Augustan ‘wit’. But here is Dr Johnson: ‘to write con amore … was … no part of his character.’ Verse starved of parental love may well have problems attracting affection later. T.S. Eliot took a charitable interest in the case in 1921, but his contribution is rather reminiscent of Mr ...”

“... about Carlyle with both authority and imagination is a daunting enterprise. For one thing, Dr Johnson apart, no English man of letters has ever held a higher opinion of the dignity of biography as a literary form, or inferentially expected more from its practitioners. Carlyle’s most famous dictum, ‘History is the essence of innumerable ...”

“... and prestige, rather than new loves or old, the character of The Leopard’s originator emerges in David Gilmour’s entertaining and astute biography. There is at times, but only at times, an excess of reserve – caught from his subject’s own fastidiousness? In the brief, lyrical memoir Lampedusa wrote in 1955, he invoked with unequivocal passion the ...”

“... of Windsor, as soundproof as the walls of all those castles they processed around. Who knew of David Windsor’s dereliction of duty in favour of love (or whatever it was) until a week before the Abdication? Well, quite a lot of people actually, but not the readers of the popular (as in lower orders) press. Marion Crawford, governess to Lilibet and ...”

“... Fourteen inches by 11, and weighing six pounds 13 ounces, David O. Selznick’s Hollywood is less a coffee-table book than a coffee table without legs. Its credits ape a blockbuster movie’s: ‘Executive Producer: Robert Gottlieb – Associate Producer: Martha Kaplan’, etc; and its first page opens like cinema curtains on a wider-than-Panavision main title modelled on Gone with the Wind ...”

“... can have is limited. Forster may be, as Ackroyd condescendingly says, ‘very dull’ and Edgar Johnson ‘awfully wrong-headed’, but they got in well before he did. The pool has been comprehensively scooped. Forster got first dibs on the blacking factory episode. Thomas Wright broke the Ellen Ternan scandal. Edgar ...”

“... to many: the making of English Literature. Others before have, like Brewer, figured Samuel Johnson as a hero of this story, his edition of Shakespeare rescuing the nation’s greatest writer from Neoclassical condescension, his Dictionary charting the English language in all its most literary qualities, his whole life of writing an endorsement of the ...”

“... and insistence finally coaxed his friend Boswell’s Journal of a Tour to the Hebrides and Life of Johnson into shape and into print. In the hands of this apparently diffident Irishman, the practice of literary history changed for ever: as far as the privileging of meticulous textual scholarship and painstaking archival research is concerned, Malone wrote the ...”

“... mother of Solomon, and finally as J, mistress of the sublime and the uncanny as well as of King David. In this new book Bloom cheerfully accepts the reviewer’s proposal. That the author of what eventually became the Torah should have been the relict of the unlucky Uriah, and not an Israelite, but a Hittite, was plainly irresistible. Henceforth, he ...”

“... Just under forty years ago David Erdman provided for William Blake historical contexts in abundance in Blake: Prophet against Empire (1954). It was a remarkable work of literary detection, which still dominates the field. Some Blake readers have felt that his attribution of correspondence between text and contemporaneous events was over-literal (as well as hazardous), and Jon Mee is one of these ...”

“... and his text shows more than a passing resemblance to other, better, secondary sources – David Robertson’s George Mallory, Walt Unsworth’s Everest, Peter Hopkirk’s Trespassers on the Roof of the World, Audrey Salkeld and Tom Holzel’s Mystery of Mallory & Irvine. By contrast, Last Climb is not only well written, it derives authority from the ...”

“... sex ought to endeavour to attain in the world.’ Six years before Wollstonecraft was born, Samuel Johnson had remarked, at once facetiously and in earnest, on the rise of ‘a generation of Amazons of the pen, who … have set masculine tyranny at defiance, asserted their claim to the regions of science, and seem resolved to contest the usurpations of ...”