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“... happens to contain a spelling mistake of his own: the fact that one of his American Modernists is John Ashbery, whose name Stead cannot spell, gives one little confidence in the quality of the information underlying these Modernist choices. Stead is a vigorous writer, and there are pages in this book that are stronger than my review suggests. But it is ...”

“... In 1978, at a seminar on John Maynard Keynes held by the University of Kent, Raymond Williams talked about ‘The Significance of Bloomsbury as a Social and Cultural Group’. He accepted Leonard Woolf’s characterisation of Bloomsbury as consisting ‘of the upper levels of the professional middle class and county families, interpenetrated to a certain extent by the aristocracy’ with ‘an intricate tangle of ancient roots and tendrils stretching far and wide’ through those classes ...”

“... overdue attention. Lawrence’s enemies still deny his comedy, which was often self-deprecating. John Carey, who wants all writers to be nice (ideally, as decent as Arnold Bennett), wrote a book about the nastiness of various modern writers called The Intellectuals and the Masses. In it Lawrence is scolded for his ‘fascism’, his ecstasies of ...”

“... If they’ve arrived too late, they should have gone in earlier.The Orton material is drawn from John Lahr’s biography, Prick Up Your Ears, which plays the part in Corey Fah Does Social Mobility that The Trial did in Sterling Karat Gold – a text to be ‘put to work’, in Waidner’s phrase. Orton’s literary executor was his agent, Peggy Ramsay. She ...”

“... most of the modern period. In the Enlightenment, for every Cook there was a Bougainville or Georg Forster; somewhat later, at a higher level, Humboldt or Custine. But in the 20th century, one society seems to have outproduced all others, across the genres. Between the wars, there was a strong strain of exoticism in French writing, variously surfacing in ...”

“... James is much more? Even that there is distress, irony, doubt and mystery in the voice of E.M. Forster that these films miss? Thomson’s anti-middlebrow fervour also seems to me to come into play in the contrast between his distaste for John Ford and his love of Howard Hawks, perhaps the perfect no-brow. The clue to ...”

“... isn’t the first fictional character to train for a supernaturally revealed task. The hero of John Irving’s novel A Prayer for Owen Meany, for instance, must master a particular basketball shot in order to fulfil his destiny by saving a group of children. It may be that the literary form best suited to dramatising forks in the road, paths taken and not ...”

“... which of them were homosexuals and so on, Cornish dodgily assuming, as did Andrew Boyle and John Costello before him, that homosexuality is itself a bond and that if two men can be shown to be homosexual the likelihood is that they’re sleeping together. So we trail down that road looking for cliques and coteries with even G.M. Trevelyan’s sexual ...”

“... follows a remarkable passage: ‘Among the neglected men I have found Robert Bage, Henry Brooke, John Bunyan, Geoffrey Chaucer, Thomas Delaney [sic], Emanuel Ford, William Godwin, Richard Graves, Robert Greene, Robert Henryson, Charles Johnstone, Charles Lever, M.G. Lewis, Thomas Lodge, Henry MacKenzie [sic], Thomas Malory, Charles Maturin, Walter ...”

“... end to die violently as they had lived, the one on the battlefield, the other in a madhouse.E.M. Forster nervously pronounced it ‘unusual’. Dorothy Parker told everyone to read it at once. It was a great succès d’estime, if not a bestseller. What it cost Ede in the reawakening of his own experience of the war can only be imagined.It​ is at this ...”

“... death, lads, Shropshire’; Orwell in 1940 listed ‘suicide, unhappy love, early death’; Forster in 1950 ticked off ‘the football and cherry trees, the poplars and glimmering weirs, the red coats, the darnel and the beer … the homesickness and bed-sickness, the yearning for masculine death’. Larkin in 1979 noted ...”

“... of Pinel and Chiarugi on the Continent, but domestic parallels as well, such as the work of John Ferriar at the Manchester Lunatic Asylum in the 1790s, or of Edward Long Fox, from whose Bristol madhouse Tuke recruited Katherine Allen, the Retreat’s first matron. In what ways does Porter claim to go beyond this? First, by widening the circle of those ...”

“... have been a doctor or a lawyer,’ he was particularly annoyed by indolent celebrities – E.M. Forster was one offender – who didn’t go out of their way to stun by weight. As someone who preferred to end his short stories ‘with a full-stop rather than with a straggle of dots’, he also grew impatient with writers who ‘give you the materials for a ...”

“... those cheerless craps between 1900 and 1930 – Ginny Woolf and Dai Lawrence and Morgy Forster’). It is perhaps not surprising that the publication of their letters did not exactly enhance the contemporary standing of either author, but, quite apart from the faux-naif priggishness of much of the disapproval, there was a failure to allow for the ...”

“... of their own heads. It afflicts English studies as it does most others, and had a recent airing in John Carey’s inaugural lecture at Oxford which proposed that scholars handle texts whereas critics only vandalise them by reading them. This double and triple illusion usefully affords occasion for simple restatements: that, for instance, to read at all is in ...”