The Suitcase: Part Three
Frances Stonor Saunders, 10 September 2020
“... I see his loving gaze falling on the objects in it: a conch shell on a side table, a painting by John Piper (a wedding gift). Home is never a neutral place, it is a very specific context, an animated expression of the presence it contains. Why can’t it be loved?‘You can’t love an inanimate object.’ I don’t know where he got the sentence from. My ... ”