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“... In April​ 1970, Robert Lowell and Elizabeth Hardwick – both aged 53, married for 21 years – had just been on holiday together in Italy with their 13-year-old daughter, Harriet. Hardwick and Harriet had come home to New York, where Hardwick taught at Barnard College; Lowell had gone to Oxford to take up a fellowship at All Souls ...”

“... for the imagination in which we all have a shared stake. Like the other great Victorian poets, Robert Browning came of age as a writer vividly aware of the exciting powers of Romantic inwardness, which, like most of his contemporaries, he found a burden as much as a spur to new achievements. His early poems revolve about subjectivity in an appropriately ...”

“... capitalisation required. It was a serious thing, trying to be a writer. My ex-boyfriend, Robert, had just won a national book contest. When I first saw David, he was kneeling next to Robert’s chair, looking up at him. I thought he looked like a little bird waiting to be ...”

“... made such an impact on me was that it wasn’t among the ten Montale poems that appeared in Robert Lowell’s 1961 book of translations, Imitations. I am saying, I suppose, that Lowell spoiled the ground in making it accessible. At this moment I would guess that Imitations is more influential than any other aspect of Lowell’s poetic practice: the idea ...”

“... poetry that has always been careful of locality: Randolph Stow’s early work, for example, or Robert Adamson’s Hawkesbury River poems, or, from an earlier generation, Judith Wright’s concern for landscape. The title-poem of Kinsella’s most recent book, The Hunt – Other Poems (1998), is dedicated to Les Murray, who reaches out to an international ...”

“... rumours of the plague. It then moves to a review of previous English dictionaries, beginning with Robert Cawdrey’s Table Alphabeticall of 1604, which explains ‘hard vsuall English wordes’ borrowed from Latin and other languages, some now obsolete, others, such as sacerdotal, now well established despite Winchester’s comment to the contrary; and why ...”

“... forms of aspiration, impersonation, interdependence and disguise. Stevie Smith, herself an odd bird passionately attached to a maternal aunt (though not in quite the same way), called them ‘that odd amalgam of aunt and niece’. ‘Amalgam’ nicely captures the competing elements that came to be known as a singular author, Michael Field.Bradley was born ...”

“... too.’ Even his admirers could find it a strain: ‘He is not an easy man to be yourself with,’ Robert Louis Stevenson confessed to Henry James, ‘there is so much of him, and the veracity and the high athletic intellectual humbug are so intermixed.’ Hardy wrote loyally after Meredith’s death that ‘His words wing on – as live words will,’ but ...”

“... and plant species are now threatened with extinction, many within decades.’ Unlike the fish and bird die-offs that Carson investigated, the steep decline of global biodiversity, much of it in the last fifty years, is not a mystery. Human activity has led to the stripmallification of nature: complex forest ecosystems are cleared to make way for fields of a ...”

“... with a sprinkling of other Catholics. Making his way on personal magnetism, ‘he could charm a bird out of a tree’, a friend recalled. For years he had been attracted to Rose Fitzgerald, according to Nasaw ‘the most famous and surely one of the prettiest Catholic girls in the city’, though even the loyal Perry admits that ‘her Boston accent, and ...”

“... staff and cabinet appointments (Rahm Emanuel, Timothy Geithner, Lawrence Summers, Hillary Clinton, Robert Gates et al) it was clear that Obama meant to play by the same Washington rules that created the policy disasters he inherited from George W. Bush. Obama had retreated into politics as usual. He never looked back. One did not have to be a sentimental ...”

“... John Singer Sargent’s ‘Robert Louis Stevenson and His Wife’ (1885). The first return to Treasure Island was made by Robert Louis Stevenson himself. Fourteen years after the novel was published, Longman’s Magazine published ‘The Persons of the Tale’, in which Captain Smollett and Long John Silver step out of the narrative after the 32nd chapter to have a chat ‘in an open place not far from the story ...”

“... some time after Laurence Sterne’s death in 1768 that this passage was itself plagiarised from Robert Burton’s attack on literary imitators in his introduction to The Anatomy of Melancholy. ‘As apothecaries,’ Burton observed, ‘we make new mixtures every day, pour out of one vessel into another … Again, we weave the same web still, twist the same ...”

“... tweed cap and a lilac chiffon scarf, allowed me to sit in his studio while he painted a flying bird.’ That self-conscious reduction to a few dazzling elements is typical of Chatwin’s affectation, and it was certainly a mannerism in the books, but only a fool or a hostile witness – Craig Raine appears to be one or the other – would preen himself for ...”

“... Captain acted with such civility that he became Darwin’s ‘beau ideal’ before they left port. Robert McCormick, the ship’s surgeon and ipso facto naturalist, was so put out by the social preference and hindrance to his own efforts to collect that he quit in Rio and shipped home. (The tradesman-status of naval surgeons in the 1830s was notorious.) It was ...”