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“... Sutcliffe and Blanford, one of them supposedly the other’s creation, and both a curious blend of Oscar Wilde, Peter Pan and l’homme moyen sensuel. The mist of uncertain identity which shrouds Sutcliffe and Blanford radiates out to the other members of the charmed circle. Monsieur, like Justine at the commencement of the ‘Alexandria Quartet’, must ...”

“... Her life, to outward appearance, goes on much as before. People don’t do things like that? Oscar Wilde, for one, thought that they did: Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die. Ellen, the tale of someone who did it ‘with a sword’ and got away with it, is a ...”

“... are heightened, undifferentiated and much less interesting – a scream, in fact. Orton criticised Oscar Wilde for putting his genius into his life instead of his art, but has copied him in this, as in so much else. The plays are a glittering shambles – no longer absurdist, just absurd. Their aerosol polish no longer dazzles and their subject-matter has ...”

“... ought to feel ashamed of not having done the same. But I do not feel so in this case. We know that Oscar Wilde is much revered on the mainland, and it looks as if Kermode has merely been getting the aesthetic Nineties echoed back at him. No doubt Imagism comes in too. He looks at a landscape with half-closed eyes through a mist, or in a Claude-glass, or ...”

“... Sally reminding her that bright Jewish women should marry smart businessmen. The trial of Oscar Wilde in 1895 was a warning of the dangers of same-sex attraction. Medical school was a scene of sexist harassment, with Rabelaisian professors of women’s medicine, as it was then called, and ignorant male journal editors who rejected her ...”

“... time a friend succeeds, I die a little,’ Gore Vidal said, channelling a similar joke by Oscar Wilde. But La Rochefoucauld is in grim earnest, and Swift plays the translation straight. He restores the comic deficit in the poem itself, a mock obituary projected into the voices of his friends and enemies. But he also makes clear that the maxim is ...”

“... Oscar Wilde called experience the name one gives to one’s mistakes, while for Samuel Johnson it was what hope triumphed over for those who married a second time. Emerson thought all experience was valuable, an opinion not shared by the inhabitants of Guantanamo Bay. Plato and Spinoza saw it as a realm of illusion, to be contrasted with the pure light of reason ...”

“... dynamism in Glas; he can’t just tell himself, like Ruskin or de l’Isle-Adam’s Axël or some Oscar Wilde character, that he prefers boys, or statues, and leave it at that. He is drawn into life, away from his observation post. Partly it is his catastrophic choice of profession, partly it is his vanity, partly his 20th-century propensity not to set ...”

“... great play, complete with a clinching illustration, of a Viennese ‘al fresco performance’ of Oscar Wilde’s ‘play’, Birthday of an Infanta: ‘Wilde’s play, performed in Velasquez-like costumes, reflected the new commitment of the visual artists to life as refined gesture.’ The historian’s original sin ...”

“... lesbian imagination. Stein and Toklas, Barney, Romaine Brooks, Djuna Barnes, Sylvia Beach, Dolly Wilde, Janet Flanner, H.D. – we’ve been hearing about them for ages and the line-up never changes. If anything, thanks to influential (and romanticising) books like Shari Benstock’s Women of the Left Bank (1986) and Andrea Weiss’s Paris Was a Woman ...”

“... Bellay, he alludes to the author of The Renaissance as ‘the don who fell on his knees to present Oscar Wilde with a lily’. The ritual castrations of this father performed earlier in the 20th century, which may attest to an anxiety of influence that belies the smear of impotence, are surely unnecessary today. It is interesting to hear Sisson on ...”

“... it is the brainy world of an artist whose delight lies in hoaxing and masking. The line to Oscar Wilde is ...”

“... plays and poems, Swinburne’s novels, the Marquis de Sade’s psychology, the mystery of Oscar Wilde, the American Indians, Haitian fiction, Russian poetry, Malraux’s theory of art – there isn’t an unclear or inelegant sentence, an unnecessary theory or an overt ideological sentiment. He remained a patient explainer, reliable guide, and ...”

“... into a world of private beauty. Where does that leave the flamboyant figures of Whistler and Oscar Wilde? One might rather see aestheticism as an ebullition of self-confidence: it is when people feel safe that they can afford to risk the pleasures of trying to épater les bourgeois. In social terms Macleod recognises that the Aesthetic Movement sees ...”

“... inspired by Peter Ackroyd’s imaginary conversation between Chatterton, T.S. Eliot, Dickens and Oscar Wilde in his biography of the Great Inimitable. By such techniques, Ackroyd believed, biography could become an ‘agent of true knowledge’, liberating itself from the tyranny of the merely documentary. Taylor agrees. These novelistic excursions are ...”