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“... When Robert Stone’s best-known novel, Dog Soldiers, was published in 1974, there was a small but significant overlap of material with The Electric Kool-Aid Acid Test, Tom Wolfe’s souped-up, superheated journalistic account of the beginnings of the counterculture, published six years earlier. The coincidence of material was in many ways inevitable ...”

“... It​ was John who had the idea that I should say something about his professional life at his funeral. It was a very nice idea and I’m glad – not to say flattered – that he had it. But I found it a spookily hard thing to do. ‘Spooky’ because every time I thought I had a point to make I heard myself checking it with John – ‘Is that right?’ ‘Can I say that?’ ‘Does that make sense?’ – and then I began to understand what had happened to all of us ...”

“... On 16 March 1810​ a Mrs Martin, a ‘labourer’s wife’, was working a field near Holy Trinity Church in Stratford-upon-Avon when she turned up an old gold signet ring bearing on its bezel the initials ‘W.S.’ It was bought for 36 shillings by Robert Bell Wheler, a local historian, and later donated to the Shakespeare Birthplace Trust, where it still resides ...”

“... Taking the clapper out of the bell makes no sense, but this is what we do too often with D.H. Lawrence. The writer who seemed to believe in dualisms – blindness over sight, blood over mind, pagan over modern, and so on – gets broken into two like a stable door. Readers, critics and biographers insist on splitting Lawrence into writer or preacher, dogmatist or poet ...”

“... It’s quite a popular secret, the Cambridge Poetry Festival; a roomful of freelance delegates, all capable of keeping their eyes to the front, on the platform – no droolers, no crisp packets. By Saturday afternoon, a certain mid-term weariness is evident (so many readings survived, so many still to come); the post-traumatic shock of being allowed into the showpiece ...”

“... after the Second World War. In the context of the burgeoning Cold War, his analysis made sense to a lot of people in the West. Hundreds of thousands of Soviet citizens who had been brought to Germany as prisoners of war and forced labourers refused repatriation after the war ended, despite intensive Soviet efforts to force ...”

“... Writing a BBC Third Programme review of Donald Hall’s Penguin Contemporary American Poetry exactly a month before she killed herself early in 1963, Sylvia Plath praised ‘the inwardness of these images ... the uncanny faculty of melting through the leaves of the wallpaper, through the dark looking-glass, into a world which one can only call surrealist and irrational ...”

“... spring, American camera crews and sound-teams and the boys and girls of ‘the pencil press’ (as it is still quaintly known) load their equipment or stuff their notebooks in a pocket and set off for the unthrilling town of Punxatawney, Pennsylvania. The occasion is ‘Groundhog Day’, when ...”

“... about the causes of burps, rumbles, farts, sweats, swellings, flushes and rashes. We may even get a glance, by way of a nasty accident, at a bit of bone. But in other ways we know our insides hardly at all. We are vague about what they look ...”

“... American writer Jeff VanderMeer seems to dangle two possible answers to this question, and it is at some cost to the distinctiveness of his work that in the end he chooses neither. VanderMeer has been publishing fiction with magazines and small presses since the early 1980s, but made his commercial breakthrough in 2014 with the Southern Reach trilogy. These ...”

“... The subtitle of James Shapiro’s engaging new book is a tease. Shapiro, the author of 1599: A Year in the Life of William Shakespeare (2005), is in no doubt that William Shakespeare of Stratford-upon-Avon is the author of the works published in his name: not Sir Francis Bacon, or Edward de Vere, Earl of Oxford, or Christopher Marlowe, living on in secret after his apparent death in a brawl in 1593 (before most of Shakespeare’s works were written), or one of the more than 50 alternative candidates who have been proposed since the mid-19th century ...”

“... gods, of genos, race, kind and offspring – is one of the great feats of the human imagination: a vast collection of stories, both intimate and cosmic, that bind the living to the dead and to one another, the past to the present and the present to what is to come. It is a primal work of culture, ...”

“... Some years ago, the novelist David Foster Wallace submitted himself to a long television interview with Charlie Rose, the PBS chat-show host. It was a terrific performance, and in it Wallace talked about why, in much of his work, narrative is split into body-text and footnotes: There’s a way, it seems to me, that reality’s fractured right now, at least the reality that I live in ...”

“... Briefly during the second act Michael Frayn’s stage-play, Make and Break, transcends its setting, a Frankfurt trade fair, touching on a general gloom. Mrs Rogers is treating Garrard, a goatish sales rep, to the fruits of Buddhism. It is late in the day ...”

“... really photographic rather than architectural (and spatial)? And would such ‘contamination’ be a bad thing? Is it possible that the buildings themselves are complicitous, no longer offering the grand head-on, Neoclassical façades for simple reproduction (see, for example, the magnificent Richard Pare collection, Photography and Architecture ...”