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“... whose splen did Mystical Bedlam used the casebooks of the astrological physician and divine Richard Napier to illuminate the mental world of the 17th century, and to suggest that mental alienation and distress might then have been dealt with in surprisingly sympathetic ways, joined in the chorus of condemnation of the ‘medical brutality’ which ...”

“... the ones that penetrated the hull, were by intellectual formidables such as the critic and editor Richard Poirier, who methodically dismantled Bellow in this paper (after a patronising observation from Atlas about Bellow’s unsure footing when he ventures into ‘the realm of ideas’, Poirier dryly commented: ‘Atlas himself occasionally ventures into the ...”

“... were in the mid 1970s coming to represent a sort of alternative establishment. His antipathy to Richard Branson was partly a matter of distaste for what Virgin represented (a music-first ethos of drift-and-discovery and whimsical eccentricity), but also a creeping fear, once the Pistols had joined the label, that the perpetually grinning Branson, in his ...”

“... who worked out how to systemise and promote much older ideas. A fiercer attack came from Robert Allen in his book Enclosure and the Yeoman (1992). Allen describes two English agricultural revolutions, one by small yeoman farmers in the 17th century, another by landlords in the 18th. The yeomen’s revolution, he ...”

“... their say under the rubric ‘Forum’. As well as Foot, Harrisson and King-Hall, they included Richard Crossman, George Orwell and E.F. Schumacher. Garvin, who was fiercely pro-Churchill, wrote in his diary that these unwelcome contributors were ‘carpers, crabbers, grousers, disappointed prigs, pedants, muddlers, moonstruck dreamers … the people who ...”

“... in London that summer, almost all the New York Pop artists were there, but not Warhol. In 1965, Richard Avedon guest-edited an issue of Harper’s Bazaar that included work by Rauschenberg, Johns, Lichtenstein and Oldenburg, but again not Warhol.None of this spoiled the party at his first museum survey show, at the Institute of Contemporary Art in ...”

“... in the flats above and below don’t even know there’s been a fire. This was something else.’ Richard Welsh is a senior officer with the London Fire Brigade. His pager went off at 1.18 a.m. ‘Initially they had six machines there,’ he said. ‘Then they asked for eight, and then ten, and then 15, 20, and then 25. I’m hearing that on the way there, so ...”