Thomas Laqueur

We live​ in the golden age of pathography. Before the middle of the 20th century there was very little writing devoted to the experience of living with illness. There were many reports of bodily ills in the letters and diaries of 18th-century men and women but no sustained narratives of disease. Autobiographies in the shadow of death were rare and brief. In David Hume’s six-page-long...

The KL were in a sense the quintessential National Socialist institution. The Nazis were adept at responding to the ever changing needs of the state: instrumental political terror, social cleansing, genocide, slave labour, medical experimentation and more. This is the first book to try to give a comprehensive account of the camp system in its entirety. Wachsmann disentangles the history of the KL from that of the Holocaust.

Fifty years ago, Barbara Tuchman’s bestseller The Guns of August taught a generation of Americans about the origins of the First World War: the war, she wrote, was unnecessary, meaningless and stupid, begun by overwhelmed, misguided and occasionally mendacious statesmen and diplomats who stumbled into a catastrophe whose horrors they couldn’t begin to imagine – ‘home before the leaves fall,’ they thought. It was in many ways a book for its time. Tuchman’s story begins with Edward VII’s funeral on 20 May 1910.

Premier Exhibitions Inc. describes itself as ‘the leading provider of museum-quality exhibitions throughout the world’: Bodies lets visitors ‘see inside carefully preserved real anatomical specimens’ and Dialog in the Dark features New York in a blackout (‘and here’s the twist – your guide is visually impaired’). But Premier Exhibition’s core business is RMS Titanic Inc., a wholly owned subsidiary that has exclusive rights to salvage artefacts from the wreck that was discovered under 12,500 feet of water in 1985.

In June 2001, John Dower, a historian of Japan, wrote a comment piece in the New York Times about the blockbuster movie Pearl Harbor. The problem with it, he thought, was not its predictable romantic digressions or historical errors but its moral obtuseness. Like earlier films on the subject, it was ‘a paean to patriotic ardour and an imagined American innocence … sanitised to an...