Susan Rubin Suleiman

At first glance, nothing seems less likely than that these two books were written by a single author. One is a piece of philosophical theorising about religion and its relation to the economic organisation of societies, from the beginning of time to modern capitalism, the other a trio of pornographic narratives which, thirty or forty years ago, would not have been allowed to reach the bookstores without an obscenity trial. But written by a single author they most certainly were – and therein lies their charm (if that’s the right word), as well as Georges Bataille’s importance as a writer.’