The Old Corrector
Richard Altick, 4 November 1982
Once convicted, the greatest forgers of English literary documents have stayed convicted. In two famous cases, those of the 17-year-old Thomas Chatterton, who fabricated poems he attributed to a mythical 15th-century Bristol monk, and the equally immature William Henry Ireland, who forged manuscripts by Shakespeare before which Boswell knelt in adoration, apologists have found a degree of extenuation in claiming that theirs were the follies of ambitious but misguided youth. Still, their guilt remains unquestioned, as does that of the monarch of them all, the diabolically clever Thomas J. Wise. When the Wise scandal erupted in 1934, only two or three quavering voices were raised in his defence and then were heard no more. John Payne Collier also had a few defenders at the outset of his ordeal, but after his presumed exposure was complete, no one publicly doubted his guilt, or that his purposes in committing his sensational hoax were an unforgivable breach of scholarly integrity.