What do you think of the LRB? Share your thoughts in our 7-minute survey

A.E. Stallings

A.E. Stallings is the Oxford Professor of Poetry. This Afterlife: Selected Poems was published in 2022.

Poem: ‘Anosmia’

A.E. Stallings, 3 April 2025

Without it, what is lemon, what is mint? –Coffee and chocolate, caffeinated brown.Ghosted by a sense that takes no hint,I feel let down.

It’s hardly tragedy that I can’t tellThe milk’s gone off, eggs rotten. It’s no jokeWith other things though – no internal bellThat signals smoke

(The toast burned or the house on fire). SweetI have, and bitter, I have sour...

Poem: ‘The Plum Tree’

A.E. Stallings, 10 October 2024

Tu ne quaesieris …

The plum tree’s dying branch by branch,A candelabra going dark.Leaves ticket down, no avalanche,A gangrene inches through the bark.

Fruit trees are short-lived. So we’d heard.For years we thought its time had come;Yet each spring bridal blossoms stirredAnd each year purpled into plum.

One summertime will be its last –I think it’s this one. You do...

Poem: ‘Blackbird at Dawn’

A.E. Stallings, 18 July 2024

Central Athens

Too full of fret to sleep, I roseTo hear the grey of dawnAnd watch the shapes of things composeBefore the day turned on.A motorcycle one street overMade the morning shift(Or furtive homecoming from lover).The dark began to sift

Like coffee grounds. Then liquid, clear,As cool as water, brightAs sunlight striking windows, sheerMusic scaled a heightPast fire escapes, so that I heardA...

Poem: ‘Saronic’

A.E. Stallings, 6 June 2024

I saw nine dolphins once churn three by three         In echelons behind a ferry boat                  As though a combine harvested the sea,

Curving toward our wake as asymptote,         But only three at once above the brine.                  One...

Poem: ‘The Golden Shrug’

A.E. Stallings, 16 November 2023

(after visiting The World of Stonehenge at the British Museum)

For Ange Mlinko

When did museums devolve to the didacticSpelling out our wonder? Not enoughTo show us something wonderful – the tacticIs multimedia to smooth the roughEdges of the imagination – ‘thwacks’Piped in to whet the silence of an axe,

Or see: those skeletons of ponderous oxenSacrificed still...

Much of A.E. Stallings’s work can seem like light verse that suddenly appals: solid, foundational stanzas that chat directly with you, distracting you from the fact that you’re perched with her, Humpty...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences