Patricia Beer

Patricia Beer, who died in 1999, contributed more than forty poems and pieces to the LRB. Reader, I Married Him, her study of 19th-century women novelists and their female characters, came out in 1974. Her Collected Poems is published by Carcanet.

Ladies and Gentlemen

Patricia Beer, 6 May 1982

The Young Rebecca is a collection of the writings of Rebecca West from 1911 to 1917, selected and introduced by Jane Marcus, with just the right amount of explanation and comment. In one respect it is an unfortunate title, suggesting an item from the cast-list of almost any black-and-white film about almost any celebrity, but in the respect that it makes a point of Rebecca West’s youth, it is a good title. The first article is signed by her natural name, Cicily Fairfield: she was so young that she had not yet yielded to whatever weakness it was that made her take a pseudonym, though she already had one in mind. She was 19.

Two Poems

Patricia Beer, 4 February 1982

Lost

In town the storm loosened the bones of the cedar tree, Thrashed them out of its roaring green pelt And they lay clean white on the lawn next morning.

‘Worse troubles at sea’ my mother used to say About almost everything. I arrived in Devon That afternoon, and she was proved right, long after death.

The storm was here too, blowing its own trumpet, Holding up the white wings...

Seeing the light

Patricia Beer, 16 July 1981

‘I like the revivalist coup de foudre for its recognition that true revelation can instantly change a man, so that his sins simply fall away from him, to be replaced by present joy and future hope.’ Philip Toynbee introduces Part of a Journey with a Which-type survey of the various concepts, and consequent terminology, of religious conversion, at one point making it sound like the best china (‘ “Rebirth” should be kept for very special occasions’) and the next like an unpretentious hock (‘I’ve always liked “Amendment” for its modesty and dryness’).

Thomas’s Four Hats

Patricia Beer, 2 April 1981

The publishers say that The Poetry of Edward Thomas is the first full-length study to deal exclusively with Thomas’s poetry (in Britain, they must mean). On the face of it, a six-decade gap of this sort shows a strange failure in critical husbandry. Yet it is not really so surprising.

Moving in

Patricia Beer, 20 November 1980

Stephen Reynolds is coming back. There have been at least two indications of this recently. The prophet is no longer without honour in his own, adopted country, for a plaque has just been unveiled to him in Sidmouth, with the blessing of the town council and a photograph of the proceedings on the front page of the local paper. And London Magazine Editions have republished his best-known book, A Poor Man’s House, which first appeared in 1908. Both events are thoroughly justifiable.

Second Chances

Donald Davie, 22 July 1993

Patricia Beer tells how not long ago she was giving a reading at which, presumably in a question-and-answer period, one after another in her small audience savaged a poem she’d written 25...

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Patricia Beer’s Selected Poems contain work composed over a period of two decades. They are a tribute to her consistency rather than to her development: I don’t find myself skipping...

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