Michael Kulikowski

Michael Kulikowski teaches at Penn State. His books include Imperial Triumph: The Roman World from Hadrian to Constantine and Imperial Tragedy: From Constantine’s Empire to the Destruction of Roman Italy. His new book, Roxy Music . . . On Track, will be published in September.

Mark Antony’s Last Throw: Hellenistic Navies

Michael Kulikowski, 25 October 2012

Hellenistic history is exceedingly hard to write, a kaleidoscope of great kings and petty warlords, huge armies fighting pointless wars. The period is badly documented, too often dependent on a stultifying first-century BC cut-and-paste job by Diodorus the Sicilian. Knowledge advances incrementally: a new reading here, an unpublished coin there, scattered archaeological finds here, there and...

Play the game: Cleopatra

Michael Kulikowski, 31 March 2011

We know much less than we would like about the Syrian queen Zenobia of Palmyra, and rather less than our 19th-century predecessors, who wrote before source-criticism eliminated much of the supposed evidence for her life. For a short time in the 260s and 270s AD, Zenobia ruled most of the Roman near east without reference to anyone’s authority but her own. In defeat and forced...

Butcher Boy: Mithridates

Michael Kulikowski, 22 April 2010

To cheat one’s enemy of victory can be a victory in itself, at least when any hope of actually winning a war has disappeared. So it was with one of Rome’s most flamboyant enemies, Mithridates VI Eupator, King of Pontus. He had cheated death for decades, at the hands of family, of ostensible friends, of many a declared enemy. Time and again he had checkmated Rome’s most...

Un-Roman Ways: The Last Days of Rome

Michael Kulikowski, 24 September 2009

Dates have a funny way of imposing a preconceived analysis on the past. They can function by synecdoche: 1776 for the five years of the American Revolution, 1976 for the punk revolution and its aftermath. Or they can work by metonymy: 1789 stands for the dawn of modernity itself. When a book takes that sort of date for a title, it’s rarely more than a gimmick to spice up a familiar...

High in the Pyrenees, early in the fifth century, a knot of Roman soldiers huddled together over the saddest kind of duty. A comrade-in-arms had died young, after just two years under the standards. They buried him with the honours he deserved, in his best uniform and his shining metal belt – the cingulum that was every fighting man’s pride, the sign that he was a soldier. No headstone would mark his grave – there was no one for miles to do the carving and, besides, headstones had been falling out of fashion for centuries. Only the memory of the young soldier would remain, fixed in the minds of onlookers by the spectacle, by the precious things deposited with the body, vanishing for ever as the earth fell on it. Without a headstone, we can’t know this young soldier’s name. In that, as in the manner of his burial, he is typical of thousands of fifth-century soldiers whose graves have been excavated. Or typical save in one respect: the dead Pyrenean soldier was a monkey, an adolescent macaque from the coast of North Africa, a thousand kilometres from where he died.

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences