Lili Owen Rowlands

Lili Owen Rowlands is a Leverhulme early career fellow at Royal Holloway, University of London.

Diary: Rape Crisis Centres

Lili Owen Rowlands, 5 June 2025

When​ I trained as a volunteer for a rape crisis helpline in 2017, I was taught to allow three rings before picking up. This gives the caller time to ready themselves: answer more quickly and they might feel startled; leave it too long and the gap can feel like abandonment. There are no rules about what constitutes a crisis. Calls can be about an assault that took place days earlier or an...

I was the Human Torch: Guillaume Dustan

Lili Owen Rowlands, 15 December 2022

In​ 1984 Guillaume Dustan drafted a personal ad: ‘In brief: young man, eighteen, hypokhâgne, Lycée Henri-IV, short brown hair, 1.7 metres, part preppy, part 1950s greaser, not very sporty – sensual – funny, neither a party animal nor a bookworm. Now let’s see if the feeling is mutual …’ Written when he still went by the name William...

Moi Aussi

Lili Owen Rowlands, 22 April 2021

When​ Vanessa Springora first met the French writer Gabriel Matzneff at a dinner party in 1986, she liked the sound of his name. She was only there because her mother, who worked in publishing, couldn’t afford a babysitter. Springora, who was thirteen, spent much of the evening reading Eugénie Grandet and feeling Matzneff’s gaze on her cheek like a warm hand, though his smile reminded her of a ‘large golden wildcat’.

Into a Blazing Oven: Virginie Despentes

Lili Owen Rowlands, 17 December 2020

Vernon Subutex​ is nearly fifty, ‘thin as a rake’ and good-looking if you can get past his furred, yellow teeth. His hair is long and completely white, but mostly still there. It’s Paris, 2014. When we meet him in the first volume of Virginie Despentes’s trilogy, Vernon is about to be kicked out of his apartment after losing his job running a record shop called...

The Scene on the Bridge: Françoise Gilot

Lili Owen Rowlands, 19 March 2020

FrançoiseGilot wasn’t impressed when she first saw Guernica, aged 15, at the 1937 World’s Fair in Paris. She appreciated the painting as a political act, but ‘was not so crazy, aesthetically or technically, about Picasso’. Six years later, she spotted him across the tables of Le Catalan, a restaurant on the Left Bank, and was equally underwhelmed. Surrounded...

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