John Burnside

John Burnside contributed many poems to the LRB. His poetry collections include Feast Days (1992), The Asylum Dance (2000) and Black Cat Bone (2011), which won both the Forward Prize and the T.S. Eliot Prize. He taught at St Andrews. He also wrote several novels, two collections of short stories and three books of memoir, parts of which were first published in the paper.

Losing Helen: A Memoir

John Burnside, 24 April 2008

Back in the 1970s, when my mother was still alive, she got me a job at the fruit and nut processing factory where she worked. It was a good job, clean and fairly light compared to the steel mill where I’d been employed the previous summer and, like all food-related work, it had its perks. My favourite nuts were almonds, which I would send through the fryer in illicit batches, mostly for...

Poem: ‘An Essay Concerning Light’

John Burnside, 20 March 2008

O nobly-born, listen. Now thou art experiencing the Radiance of the Clear Light of Pure Reality. Recognise it. O nobly-born, thy present intellect, in real nature void, not formed into anything as regards characteristics or colour, naturally void, is the very Reality, the All-Good.

The Tibetan Book of the Dead, tr. W.Y. Evans-Wentz

I Scotlandwell

All summer long, I waited for the night to...

Two Poems

John Burnside, 1 December 2005

Orange

The heaven of childhood had something to do with citrus: back in the coal towns, deep in a season of rain, or out on the farm roads, away from the dangerous world, where children came down from their attics, with sleep in their mouths,

light on the kitchen walls on a Christmas morning and, under the tree, in their scarlet and matt-black wrappers, the newborn clementines that flaked and...

Poem: ‘Old Man, Swimming’

John Burnside, 4 August 2005

When I was twenty years old, on days that were darker and brighter than now, I got up at six and swam fifty lengths every morning,

steady and even, though not as precise, or as sure as the one other swimmer I passed, flowing back and forth, in the lit pool on Parker’s Piece:

an old man, I thought at the time, with a gold to his skin that is only acquired over decades, his slicked hair

...

– something that comes from the dark (not self or non-self)

but something between the two like the shimmering line where one form defines another yet fails to end;

look for the proof in snow or the bleed of light between the shorefront and the harbour wall

this late December evening: nothing there; but listen, and it sounds like wings arriving quietly over the firth

and further out the...

What He Could Bear: A Brutal Childhood

Hilary Mantel, 9 March 2006

The lie is told to a man he meets on the road; it is America, fall, the mid-1990s, when he stops to pick up a hitch-hiker in Upper New York State. It is almost the day of the dead, and he is tired,...

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War against the Grown-Ups

John Redmond, 21 August 1997

A recent newspaper story told of a young man who went to hospital, seeking attention for stomach pains. Expecting to find some sort of cyst, the doctors opened him up. What they removed instead...

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Uncertainties of the Poet

Nicolas Tredell, 25 June 1992

‘Fin de siècle’: the term suggests a dilution and dispersal of the cultural, social and political energies of a century, an uneasy time of uncertainties as a new era waits to be...

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Imagining the Suburbs

Stan Smith, 9 January 1992

Whole systems of thought have been founded on the French language’s inability to distinguish differing from deferring. Perhaps Napoleon is to blame (‘Not tonight, Josephine’)....

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