John Ashbery, who died in 2017, published more than thirty poems in the LRB. He won many prizes for his poetry, including the Pulitzer and the National Book Award for Self-Portrait in a Convex Mirror. His first collection, Some Trees, appeared in 1956; his last, Commotion of the Birds, in 2016.
Why, we must dye it then –
Would I like to stay here indefinitely? We have trees to prune, cryptograms to decode, it was all a blind running into the light – She couldn’t say the word for ‘fish’. Nor are his genes undone by what oafish submarines remain. Aye, sir, Captain Nemo, sir, we’ve spotted the junk in the roads up ahead. What! That spasm I created...
Weather drips quietly through the skeins in my diary. What surly elision is this?
Who faxed the folks news of my homecoming, even unto the platform number? The majestic parlor car slides neatly into its berth, the doors fly open, and it’s Jean and Marcy and all the kids, waving pink plastic pinwheels, chomping on popcorn. Ngarrrh. You know I adore ceremony, even while refusing to stand...
These things can be arranged, he said. Besides, glitter has become reasonable again. Hadn’t you heard? For one irrational second I thought today’s subject was plagiarism, as symbolised by that desk. But no, it’s joy in never knowing, in having once known, and in its still not being too late to know. Yes, but I know now that I knew long ago when children...
It’s been two years since the last one, so it must be time for a new book of poems by John Ashbery. Like the old James Bond films, Ashbery’s late instalments arrive punctually, and...
A little over thirty years ago, John Ashbery delivered a lecture at the Yale Art School called ‘The Invisible Avant-Garde’, in which he asked whether the distinction between the...
Famous poems, like faces, are a particularly memorable kind of introduction to the person they conceal. Like other kinds of introduction, they are often what we remember a person for, or what we...
I remember the pleasure of my first reading of Frank O’Hara’s Lunch Poems when it came out in 1964 in a City Lights edition uniform (except that it was blue and red, not black and...
For as long as he has been exhibiting Kitaj has been publishing commentary on his pictures. With him the two activities interlock, coming closer to the idea of the calligram that Foucault played...
This is Ciaran Carson’s second collection of poems. His first, The New Estate (1976), revealed an intricate, lyrical poet intensely aware of traditional Irish cultures, and concerned to...
Like Tristram Shandy, Delmore Schwartz so hated his name that he sometimes used to attribute all of his misfortunes to it. It was an obsession he enjoyed feeding: he would invent ridiculous...
Professor Vendler’s soul is in peril. Reviewing Black American broadsides in 1974, she found it ‘sinful that anthologies and Collected Works should betray the poems they print by...
In ‘A Wave’, the title-poem of his new collection, John Ashbery says, among many other things: One idea is enough to organise a life and project it Into unusual but viable forms, but...
The poet’s mind used to make up stories: now it investigates the reasons why it is no longer able to do so. Consciousness picks its way in words through a meagre indeterminate area which it...
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