James Meek

James Meek is a contributing editor at the LRB. His most recent novel is To Calais, in Ordinary Time.

At the beginning of the coronavirus epidemic it was gravely expected that the Euro-American countries would hold firm, with their sophisticated healthcare systems based around high-tech hospitals, while the disease would cut a terrible swathe through Africa. The question of solidarity, or the lack of it, would come down to how much or how little the rich countries were willing to give the less well-off. So far it hasn’t happened that way. The formerly colonised countries, with their thinly resourced health systems, have been spared the worst; it is the old colonisers, with their ventilators and ECMO machines, that have suffered. Senegal has had far fewer deaths than France, the Democratic Republic of Congo far fewer than Belgium, Kenya far fewer than Britain. That may yet change. More remarkable is the way the epidemic has exposed a lack of solidarity within Western countries themselves. The debate about the path of global health improvements turns out to be meaningful within countries as well.

In 1348

James Meek, 2 April 2020

The plague may have heightened awareness among the peasantry that communicating with God through a priest and doing their manorial lord’s work for free was something they acquiesced to, rather than the natural state of things, but these were customs and rituals linked directly to essential matters, eternal life and bread. With us, it is the reverse. Our practices, lost not as a direct result of epidemic mortality but the frantic effort to prevent it, seemed when we had access to them to be merely things we did, but can now be seen as substitutes for existential meaning: the office, the pub, the restaurant, the foreign holiday, the cruise. When you aren’t going anywhere, the danger is that you might start seeing the way things are going. Just as medieval peasants wondered whether the world would end if they refused to give their lord their labour for free, we might find ourselves wondering why, if the world is capable of mustering so much financial and material firepower to fight Covid-19 and save businesses from going under, it can’t muster it for other purposes.

From The Blog
9 March 2020

Not since the financial crisis of 2008, when there were fewer smartphones in the world by a factor of ten, has the world as a whole faced an emergency like the coronavirus epidemic. And while the financial crisis affected countries differently, Covid-19 affects countries in pretty much the same way. Such different parts of the world, all the same, all in it together. The fear, the uncertainty, the panic-buying, the masked figures swarming around hospital beds and public buildings. Palm trees in the background, then snowy mountains in the background, then apartment blocks in the background – is this San Francisco, Milan or Shanghai?

Short Cuts: Deepfakery

James Meek, 5 December 2019

Electionseason in the Trapped-Together Kingdom, and people are talking about politicians and parties, sort of. The talk isn’t always talk, as such. To put it another way, when was the last time someone told you a joke? When was the last time you saw a fresh quip inked on the door of a toilet? No, I can’t remember either. But when was the last time you clicked on a link to a...

The Dreamings of Dominic Cummings

James Meek, 24 October 2019

Iwent​ travelling in Remainia. My aim was to write about St Albans in Hertfordshire, a city just north of London where voters and the local MP are out of sync on the wedge issue of the day. In 2016 the people of St Albans voted heavily to remain in the EU – among cities, St Albans was behind only Edinburgh, Cambridge, Oxford, Brighton and Glasgow in the rankings of pro-EU vote...

Planes, Trains and SUVs: James Meek

Jonathan Raban, 7 February 2008

James Meek’s last, bestselling novel, The People’s Act of Love, published in 2005 to great critical acclaim, was set in 1919, in ‘that part of Siberia lying between Omsk and...

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Dynamite for Cologne: James Meek

Michael Wood, 21 July 2005

James Meek’s early fiction is alert, acrid and funny, and only slightly too insistent on its own quirkiness – as if it were hoping reviewers would call it surreal (they did) and...

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