Time Longer than Rope
Greil Marcus, 16 November 1995
‘Lo and Behold!’ opens on the rails, the first notes on the piano setting the wheels in motion, the singer with one foot on the platform and the other foot on the train as it pulls out within the room. It’s the summer of 1967, in the basement of Big Pink, a couple of months into fooling with old tunes, moving across a common landscape, new songs now coming in a rush; almost three decades later, you can still hear Garth Hudson snap the switch.