Elizabeth Lowry

When Doris Lessing brought out the first two volumes of her autobiography, Under My Skin (1994) and Walking in the Shade (1997), she did so, as she explained, partly in ‘self-defence’, aware that at least ‘five American biographers’ were then writing their versions of her life. Some had been in touch and had been given short shrift; others she had never met. ‘Yet another can only be concocting a book out of supposedly autobiographical material in novels and from two short monographs about my parents.’ The soufflé-ish quality of Carole Klein’s Life of Lessing irresistibly suggests that Klein, who approached the forbiddingly private author in 1992 only to be sent packing, was that unfortunate person.

Alistair MacLeod is a Canadian of Scottish descent, and, like John McGahern who has written a foreword to his collected stories, an astute observer of a very specific local setting – Cape Breton, Nova Scotia; of its landscape and industry, its closed communities, quotidian tragedies and domestic disappointments. In addition, both McLeod’s voice and McGahern’s are recognisably...

Mia Couto is a white Mozambican who writes in Portuguese, perhaps the most prominent of his generation of writers – he is 50 this year – in Lusophone Africa. His recurring theme is post-revolutionary Mozambique’s struggle to achieve credible nationhood; specifically, to channel its resources in such a way as to benefit its people rather than its apparatchiks. Couto’s...

Hilary Mantel’s dark, unsettling and gleefully tasteless new novel about spiritualism, Hell and the condition of contemporary England is part ghost story, part mystery, and as alarmingly funny as it is disturbing. Shakespeare makes an appearance – he passes in the spirit world as ‘Wagstaffe’, something of a louche lad about town – and is caught on tape having a...

Superficially, at least, it’s not remotely like Brick Lane. Does that matter? Yes and no. Following her ambitious and pacy first novel about Bangladeshis in the East End of London, Monica Ali has emphatically changed direction by setting her second book in Portugal. This will inevitably alienate some of her fans. But the change of subject should not really come as a surprise. After