Edward Said

Edward Said, who taught English and comparative literature at Columbia, was the author most famously of Orientalism. His other books include The Question of Palestine, Covering Islam: How the Media and the Experts Determine the Way We See the Rest of the World, Culture and Imperialism and Out of Place: A Memoir. He was also an accomplished pianist, and founded the West-Eastern Divan orchestra with the conductor Daniel Barenboim in 1999. He wrote forty pieces for the LRB on subjects including late style, the belly-dancer Tahia Carioca, meeting Sartre, and the Oslo Accords, ‘an instrument of Palestinian surrender, a Palestinian Versailles’. Said’s friend and former neighbour Michael Wood wrote about him in the paper after his death in 2003.

Who is worse?

Edward Said, 20 October 1994

Despite the dismal events of the past year, Israel continues to be immune from criticism of its outrageous behaviour in the American ‘peace process’. This is one of the most striking aspects of the 12 months that have elapsed since the Declaration of Principles and the Gaza-Jericho agreements were signed on the White House lawn. Part of the blame rests with the PLO’s current leadership, which from the very beginning saluted Israel’s ‘courage’ in granting Palestinians the right to extremely limited self-rule. (Even that is still far from realisation.) Why the victims of Israel’s policies of dispossession, occupation and repression should thank their persecutors for a grudging admission that they ‘exist’ is difficult to understand, although the recently published memoirs of Mahmoud Abbas (Abu Mazen) provide at least one important clue. It seems that, to people like himself and Arafat, the psychological need for recognition from ‘the Zionist movement’ was so great as to override almost all other considerations – especially those that concerned the Palestinians’ real, long-term interests. The Palestinian negotiators at Oslo, insecure in their own cause, achievements and history, mistook the satisfaction of their own personal need for acknowledgment as a real political victory. But, as the Palestinian economist Burban Dajani has shown, Rabin’s one-sentence ‘recognition’ of the Palestinians recognised no Palestinian rights, but merely an organisation said to represent that people as ‘a suitable negotiating partner’. In other words, Rabin recognised the Palestinian leadership only in order then to wrest concessions from it. The Palestinian people’s losses, suffering and future were handed over to Israel to dispose of as it wished.’

At Miss Whitehead’s

Edward Said, 7 July 1994

Among major 20th-century critics who wrote in English, Edmund Wilson (1895-1972) is still by far the most readable – readable anywhere and at any time. Only professionals are likely to find his style, and even his methods, entirely too informal and amateurish – absence of footnotes, personal tone etc. But I can testify to being able to read him with pleasure and for no particular reason at home, on a bus, in an office, a hospital waiting-room, a hotel. I cannot recall that he was ever an assigned author in any of the many literature classes I took, both as an undergraduate and as a graduate student, but he was always a significant presence, for my teachers as much as for myself. His vast output stretched over an enormous expanse of literature, and history, over a great range of cultures, East and West, North and South. His voice remained the same: engagingly chatty, effortlessly well-informed, always interested in the human side of books and histories, a side he rendered in the form of chronological narratives, none more gripping and interesting than those deft plot summaries which he combined with biographical detail and perspicacious literary judgment. His model was Sainte-Beuve who, as F.W. Dupee, another remarkable American Sainte-Beuvian, used to say, enabled Wilson not only to be a literary portraitist but also to give you the impression that he was discovering books and authors as if for the first time. This sense of excitement and, yes, egotism – Wilson communicates a proprietary ease, with no book or idea too out of the way or difficult for him to have ferreted out – still makes for great pleasure, despite the many cranky likes and dislikes.

In 1992 I visited Hebron for the first time since the 1967 war and was immediately impressed with how, of all places under Israeli occupation, it was clearly waiting to explode. That it did so on 25 February is surprising only in that a massacre did not take place earlier, although on 14 January the Army, using anti-tank missiles, destroyed a student house and killed three young Palestinians.

The Morning After

Edward Said, 21 October 1993

Now that some of the euphoria has lifted, it is possible to re-examine the Israeli-PLO agreement with the required common sense. What emerges from such scrutiny is a deal that is more flawed and, for most of the Palestinian people, more unfavourably weighted than many had first supposed. The fashion-show vulgarities of the White House ceremony, the degrading spectacle of Yasser Arafat thanking everyone for the suspension of most of his people’s rights, and the fatuous solemnity of Bill Clinton’s performance, like a 20th-century Roman emperor shepherding two vassal kings through rituals of reconciliation and obeisance: all these only temporarily obscure the truly astonishing proportions of the Palestinian capitulation.

Letter

Unfaithful to Wagner

11 February 1993

Edward Said writes: How convenient for Michael Tanner to retreat into undergraduate nitpicking, having lost his case on all the essential points about Wagner. There aren’t 13 operas, water is everywhere (this is Vogt’s point anyway), Wieland Wagner’s influence, the importance of Wagner’s politics to his aesthetics, the need for ‘infidelity’, Proust and Mallarmé as avant-garde Wagnerians...

Going Against: Is There a Late Style?

Frank Kermode, 5 October 2006

The odd thing is that most of the contributors to these books doubt whether it is possible to offer a clear and distinct idea of the subject under discussion. Indeed, Karen Painter, one of the...

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In Being and Nothingness Sartre has an admirable passage about the stubborn human tendency to ‘fill’, the fact that a good part of human life, in politics as elsewhere, is devoted to...

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What nations are for

Tom Nairn, 8 September 1994

The politics of dispossession is nationalism – an over-generalisation which at once calls for precise qualification. It is quite true that not all nationalists are dispossessed: possessors...

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In the Wilderness

W.J.T. Mitchell, 8 April 1993

The Foundation of Empire is Art and Science. Remove them or Degrade them and the Empire is no more. Empire follows Art and not vice versa as Englishmen suppose. William Blake,...

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Off the edge

Frank Kermode, 7 November 1991

The Wellek Library Lectures at the University of California, Irvine, are meant to be about Critical Theory, and up to now they have, for good or ill, been faithful (in their fashion) to that...

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Insults

Richard Wollheim, 19 March 1987

Professor Bernard Lewis enjoys a worldwide reputation as a scholar of Near-Eastern history, and in his most recent work, Semites and Anti-Semites, he has chosen to concentrate his formidable...

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Textual Harassment

Claude Rawson, 5 April 1984

In a recent review in this paper, Edward Said used the word ‘narrative’ about thirty times. This might have seemed a lot even in the present state of litcritspeak, and even in an...

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Arabs

Malise Ruthven, 18 February 1982

Edward Said is the first Palestinian to have stormed the East Coast literary establishment. His achievement has partly been the result of what his more paranoid opponents must regard as his...

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Making peace

Dan Gillon, 3 April 1980

The Palestinian problem has been the subject of world-wide debate for more than a decade. Yet the issue is not well understood. The debate, for all its volume and intensity, has rarely managed to...

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