Dinah Birch

Dinah Birch is a pro-vice chancellor and professor of English at the University of Liverpool. She has written extensively on John Ruskin, as well as Dickens, Tennyson and the Brontës, and is the general editor of the Oxford Companion to English Literature.

Sisters come second: Siblings

Dinah Birch, 26 April 2012

You can’t choose whether or not to have siblings. Many children would change their situation, if they could. Some long for company, others are bent on ridding themselves of rivals. But the connection is often the most enduring of all social relationships. Friends, lovers and spouses come and go. Parents die: children arrive when we’re adults, if at all. But siblings can never be...

‘My father was a wicked man – a very wicked man,’ Charles Dickens’s daughter Kate Perugini wrote. ‘My father did not understand women.’ Yet he was never simply a chauvinist. Though he would not acknowledge women’s independence, he recognised their ambitions outside the home. He admired his musical sister Fanny, and was drawn to Nelly Ternan, who...

‘Governesses don’t wear ornaments. You had better get me a grey frieze livery and a straw poke, such as my aunt’s charity children wear.’ George Eliot’s Gwendolen Harleth is sour because it looks as though she will have to support her family by teaching the daughters of a bishop, but most would have shared her depression at the prospect. The efforts of the...

Letter

A pedant writes

20 September 2007

Martin Sanderson dislikes my choice of the word ‘masterful’ – rather than ‘masterly’ – to describe Rosemary Hill’s biography of Pugin (Letters, 4 October). But ‘masterful’ is what I meant. Not only is the book skilful, it is written with force and authority. ‘Masterly’ would have conveyed a different meaning, and not the one I wanted.

Very Pointed: Pugin

Dinah Birch, 20 September 2007

Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat, trading antiquities as a teenager, and barely escaped drowning), bankruptcy, three marriages, several tumultuous love affairs, children conceived out of wedlock, and a series of uncertain commercial...

Seeing through Fuller

Nicholas Penny, 30 March 1989

It has been respectable for some while now to admit to being bored by the huge, flat, ‘pure’ abstracts on the white walls of the museums of modern art. And yet non-representational...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences