Deborah Friedell

Deborah Friedell is a contributing editor at the LRB.

Letter
Deborah Friedell writes: I refer Claire Tomalin to Mark Bostridge’s letter and to pages 395-96 of her Dickens biography. There she notes inconsistencies in the usual account of Dickens’s death at Gad’s Hill and offers ‘another possible version of the events of Wednesday 8 June’, in which Dickens may have ‘made the familiar journey by train and cab to Peckham’, given Nelly her housekeeping...

His Friends Were Appalled: Dickens

Deborah Friedell, 5 January 2012

Only after Charles Dickens was dead did the people who thought they were closest to him realise how little they knew about him. His son Henry remembered once playing a memory game with him:

My father, after many turns, had successfully gone through the long string of words, and finished up with his own contribution, ‘Warren’s Blacking, 30 Strand.’ He gave this with an odd...

The Protectorate was over, the Commonwealth had failed. Charles II entered London on 29 May 1660, his birthday, and began hanging judges and reopening theatres. Tongue firmly in cheek, a royal patent lamented that ‘many plays formerly acted do contain several profane, obscene and scurrilous passages’: the solution was to have women’s parts henceforth played by women, as...

From The Blog
18 October 2011

On Saturday I sat the ‘Life in the UK’ test, a requirement for foreign nationals who want to apply for citizenship or permanent leave to remain. My nearest test centre was in a dingy basement off the Essex Road. The fluorescent lights weren't doing very well. The invigilators were stone-faced, a bit rude. I'd been forbidden from talking to or looking at my fellow immigrants, about 20 people, mostly men. While waiting for the test to begin all I had to look at was the cover of my American passport.

From The Blog
9 September 2011

Georgette Heyer's advice for novelists, from Jennifer Kloester's forthcoming biography: 1. Induce your publisher to hand over at once a sum of money grossly in excess of what the book is likely to be worth to him. This gives one a certain amount of incentive to write the thing, and may be achieved by various methods, the most highly recommended being what may be termed as The Little Woman Act. 2. Think out a snappy title. This deceives the publisher into thinking (a) that he is getting the Book of the Year; and (b) that you have the whole plot already mapped out. The only drawback lies in the fact that having announced a title you will be slightly handicapped when it comes to hanging some kind of story on to it.

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