David Trotter

David Trotter is emeritus professor of literature at Cambridge. Brute Meaning, a book of essays, some of which were first published in the LRB, came out in 2020.

No Shortage of Cousins: Bowenology

David Trotter, 12 August 2021

There are​ more weird households per novel in the work of Elizabeth Bowen than in that of any comparable writer. She liked to imagine the nuclear family as radically estranged from itself – by the death of a parent or a child, by childlessness, by emergency or neglect. Twenty-year-old Roderick Rodney in The Heat of the Day (1948) ‘would have esteemed, for instance, organic family...

Stainless Steel Banana Slicer

David Trotter, 18 March 2021

Agimmick​ is a gadget that flatters to deceive. It reminds us of the difference between what we need and what we can be persuaded to want. Raspberry mojitos hint at arcadia, but they’re never going to taste as good as the ones nobody thought to add raspberries to. An ironing board is a plank with a collapsible undercarriage right up until the moment you try to replace the one you have...

Head in an Iron Safe: Dickens’s Tricks

David Trotter, 17 December 2020

What​ most distinguishes Dickens’s novels from those by almost any other writer, and from life, is that hardly anything in them ever recedes entirely into the background. Dickens fought long and hard against the human tendency to focus exclusively on what is of immediate pressing concern in any given situation. His often anodyne protagonists have to compete for our attention with the...

Charlot v. Hulot: Tativille

David Trotter, 2 July 2020

Charlie Chaplin​ had already starred in 41 films before he became an icon, universally recognisable by his appearance, mannerisms and pattern of behaviour. A lot happens in these films, mostly having to do with the hero’s pursuit of basic needs (food, money, sex, status) through the exercise of a kind of flighty, Zen belligerence. In Kid Auto Races at Venice (1914), a cameraman’s...

Stir and Bustle: Corridors

David Trotter, 19 December 2019

In​ the original film noir, John Huston’s Maltese Falcon (1941), private investigator Sam Spade (Humphrey Bogart) visits criminal mastermind Kasper Gutman (Sydney Greenstreet) in his San Francisco hotel room to discuss the delivery of a mysterious ornament. The elevator attendant points him in the direction of Room 12c. After some cagey preliminaries, Spade delivers a ferocious...

Hauteur: ‘Paranoid Modernism’

Adam Phillips, 22 May 2003

What is now called trauma theory informs contemporary biography as much as it does the academic practice of literary history. Belief in trauma as a kind of agency, as a cultural force – in...

Read more reviews

Spitting, Sneezing, Smearing: Messy Business

Marjorie Garber, 10 August 2000

Once, recycling was a way of life, conducted without civic ordinances, highway beautification statutes, adopt-a-motorway programmes or special bins for paper, glass and metal. Until the mid-19th...

Read more reviews

Reading Cure

John Sutherland, 10 November 1988

The Wellesley Index originated in its founding editor Walter Houghton’s The Victorian Frame of Mind, 1830-1870 (1957), a manual which was influential among students of the Sixties....

Read more reviews

Fit and Few

Donald Davie, 3 May 1984

‘Fit audience, though few,’ said Milton; and thereupon declared the terms in which the issue of reader-response would be considered by poets from his day to ours. The widely-read...

Read more reviews

On Aetna’s Top

Howard Erskine-Hill, 4 September 1980

So Pope wrote in 1737, since which time Cowley has passed almost entirely into the hands of academic literary historians, whose chief service to him has been the rediscovery of his unfinished...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences