Felipismo
David Gilmour, 23 November 1989
Camilo Jose Cela, the recent Nobel Prizewinner, remarked a few years ago that Spain remained ‘excessive’ in all things. ‘This country either destroys you or it puts you on its altars.’ Spanish excesses, the contrasts of landscape and architecture, the sensuality and austerity that exist side by side, often in the same person, have long appealed to outsiders. So have the mysticism and irrationality, the violence of politics, the idealism and barbarism of the Civil War. ‘Spain is different,’ said the Francoists in justification of their denial of human rights and democratic principles: it was not suited to representative government. Everyone else disagreed, rightly, while at the same time hoping that the country would retain its differences. Spain’s contrasts and contradictions were too interesting to be sacrificed for the sake of European conformity.