Damian Grant

In an article on Arthur Koestler written in 1944, George Orwell suggested that the lack of imaginative depth in English political fictions, when these are compared with works of European origin, may be due to the fact that the English simply lack any experience of the totalitarian state: ‘The special world created by secret-police forces, censorship of opinion, torture and frame-up trials is, of course, known about and to some extent disapproved of, but it has made very little emotional impact.’ Forty years on, one wonders whether Orwell would have found his compatriots quite so effectively disqualified in this respect. Recent events in the northern part of this kingdom give rise to serious anxieties about the integrity and accountability of our Police Forces. It is not surprising that Geoff Newman’s play Operation Bad Apple, based upon the thwarted Countryman inquiry into corruption within the Metropolitan Police, is currently enjoying a successful run (to appalled audiences) at Bolton’s Octagon Theatre.