Clare Bucknell

William Godwin’s​ attack on aristocratic oppression in the Enquiry concerning Political Justice didn’t pull its punches. ‘Each man,’ he wrote, ‘should be wise enough to govern himself, without the intervention of any compulsory restraint; and, since government, even in its best state, is an evil, the object principally to be aimed at is, that we should have as...

The​ professions open to younger sons of the aristocracy and gentry at the beginning of the 19th century could be counted on the fingers of one hand. In Sense and Sensibility Edward Ferrars, who has chosen to do nothing for a living and regrets it, reels off four possibilities:

I always preferred the church, as I still do. But that was not smart enough for my family. They recommended the...

It’s opening night​ at the National Theatre. The radical writer and director Amma Bonsu, snubbed for decades by the cultural establishment for her uncompromising work (FGM: The Musical; Cunning Stunts), is about to astonish audiences with a new play. The Last Amazon of Dahomey has sold out before the run begins; it features 18th-century lesbian West African warriors, ‘thunderous...

‘When I came to Louisa’s, I felt myself stout and well, and most courageously did I plunge into the fount of love, and had vast pleasure,’ James Boswell wrote in his diary on a winter’s night in 1763, after an assignation with a beautiful Covent Garden actress. But the next day ‘came sorrow. Too, too plain was Signor Gonorrhoea.’ The arrival of the Signor was heralded by ‘damned twinges’, ‘scalding heat’ and the excrescence of ‘deep-tinged loathsome matter’.

Until​ the mid-20th century Jane Collier was known only for a clever satire on how best to irritate people, An Essay on the Art of Ingeniously Tormenting (1753). After her death in 1755 it was considered a shame that she hadn’t tried writing something less rebarbative. Her younger brother Arthur ‘often lamented’, the 1804 editor of the Essay recalled, ‘that a sister...