Christopher Tayler

George Saunders – whose semi-official website carries a reminder that the man who played Addison DeWitt in All about Eve was called George SANDERS – was born in Chicago in 1958. A schoolteacher got him interested in literature, but having been exposed at an impressionable age to the novels of Ayn Rand he ended up studying geophysical engineering: ‘I didn’t want to be...

For a long time, Henry Roth’s silence was considered one of the most resonant in modern American literature. Ralph Ellison and J.D. Salinger were his only competition. When Call It Sleep (1934), Roth’s first novel, became a bestseller, thirty years after it first appeared, reporters found him scraping a living in Maine, gloomily slaughtering ducks and geese with equipment...

When he published The Ice Storm in 1994, Rick Moody seemed to be looking for a workable compromise between suburban realism and what Gore Vidal once called the ‘Research and Development’ arm of American fiction – the tradition of Thomas Pynchon, Robert Coover, William Gaddis and Don DeLillo. That might not sound hard if you think of R&D as a matter of surface effects:...

Rachel Cusk recently wrote a piece for the Guardian describing her short-lived membership of a book group: ‘As if for the first time, I understood that reading is a private matter.’ Her co-readers’ inadequate responses to Chekhov provoke some grim reflections on the inadequacies of contemporary readers and writers. ‘Generally the greatest writers have written about...

In Cakes and Ale (1930), William Somerset Maugham has Willie Ashenden – his narrator and stand-in – explain that, in reputation-building terms, ‘longevity is genius.’ He comes out with this idea while discussing the case of his friend Edward Driffield, a Hardy-like figure who becomes the Grand Old Man of English Letters after seeing off late Victorian accusations of...