Christopher Tayler

Christopher Tayler is a contributing editor at the LRB.

From The Blog
16 June 2010

When my father was diagnosed with colorectal cancer twenty months ago, the first thing his doctors decided to do was fit him with a stoma, which turned out to be a less dispiriting term for giving him a colostomy. He had private health insurance, so he was booked in at a small hospital outside Brighton with a view of the sea and, he was assured, a functioning wireless network. He bought a new laptop to take along – not for working on a book he’d always meant to write or even, primarily, for sending emails, but for playing Scrabble against opponents on the internet while convalescing. My brother and I visited him soon after the operation, and I remember thinking, on the way in, about the scene in Blue Velvet in which Kyle MacLachlan visits his father in hospital. As I remembered it, the father’s horribly trussed up, with a respirator pumping and an oxygen mask on his face, as a result of his heart attack in the opening scene. My dad, post-surgery, looked healthier than Kyle’s, but he did have a transparent oxygen mask on, and after I kissed him he indicated it and said: ‘It’s like Blue Velvet!’ I think he meant Dennis Hopper's more memorable gas mask, and I admired him for joking about that then.

At the Movies: ‘Four Lions’

Christopher Tayler, 27 May 2010

Four young Muslim men with Yorkshire accents are taking turns to address the camera in front of a sagging cloth backdrop. ‘Eh up, you unbelieving kuffar bastards,’ one of them begins. The struggle to hit the right note continues: the speaker, a bulky man with a sweetly confused look, tries to persuade the others that the toy gun he’s cradling looks absurdly small only...

From The Blog
5 May 2010

I don’t know what kind of demographic targeting apparatus the Lib Dems are packing in this election, but it seems to have determined that there are votes to be had from readers of the Saturday Guardian with a taste for the great masters of modernistic gloom and a relaxed attitude to not namechecking Nelson Mandela. The evidence:

Roth, Pinter, Berlin and Me: Clive James

Christopher Tayler, 11 March 2010

Clip show presenter, chat-show host, star of a series of travel documentaries, essayist, lyricist: he was for a time a king of all media, even publishing a bestselling novel, Brilliant Creatures, in 1983. His shtick – part rough diamond, part name-dropping highbrow, part fast-talking joker, part self-delighting goon, with a dry, singsong Aussie delivery – was something you were expected to understand jokes about if you lived in Britain in the 1980s. A balding, slightly tubby man with a weightlifter’s neck and near invisible eyes, he also presented an end-of-year show in which his ritualistic efforts to flirt with the likes of Jerry Hall were a running gag.

From The Blog
5 February 2010

The New York Times Magazine recently profiled Charles Johnson, who – back in the good old days of Dick Cheney’s ‘Go fuck yourself’ – was an important online player in what one ex-associate of his terms ‘the trans-Atlantic counterjihad movement’. A ponytailed, LA-based jazz guitarist, Johnson was one of those who went a bit nuts after the 11 September attacks. Little Green Footballs, previously a personal blog devoted to web design and bicycle racing, rapidly became the go-to site for defenders of Western civilisation who wished to share genocidal fantasies about Muslims, fret or gloat over the plight of ‘Eurabia’, send pizzas to Israeli troops in the Occupied Territories and so on. Melanie Phillips became its best-known British fan.

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