Carole Angier

Carole Angier a tutor at the Open University, is working on a study of Jean Rhys.

‘Heimat’ and History

Carole Angier, 22 January 1987

Edgar Reitz’s Heimat is not just a brilliant film about Germany. It is a brilliant film about our time, anywhere – perhaps about any time anywhere. The war between continuity and change, staying at home and leaving home, is part of the human condition. This war is the true subject of Reitz’s huge and absorbing masterpiece. It begins in 1919, when Europe has destroyed itself and the future is moving to the new world, America. The old world, essentially unchanged for centuries, has just died, and Heimat is an elegy for a way of life which no one has properly valued until it was over.’

All I can do

Carole Angier, 21 June 1984

Jean Rhys always said, and certainly believed, that she didn’t want to be a writer. She only wrote, she said, because she was unhappy, and when she was happy, as she was in her twenty years of marriage to her third husband, she didn’t write at all. Now comes this extraordinary book to prove that this simply wasn’t true. Jean was only half-like one of her heroines: passive, incompetent, decoratively doomed. Her letters show that she was a dedicated professional writer; that her third marriage covered some of the hardest years of her life; and that throughout it she never stopped writing, or trying desperately to write.

Travelling in the Classic Style: Primo Levi

Thomas Laqueur, 5 September 2002

Primo Levi is among the most read and most resonant witnesses to the greatest human disaster of a disastrous age. He created more powerful images, more mind-sustaining turns of phrase through...

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One Thing

John Bayley, 22 November 1990

In the introduction he wrote to the Magnus memoir of the Foreign Legion, D.H. Lawrence remarked that he hated ‘terrible’ things, ‘and the people to whom they happen.’ A...

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