Like Cold Oysters
Bee Wilson, 19 May 2016
Edith Piaf’s musical persona was highly, and brilliantly, constructed, however artless it was intended to seem. In private, she was amusing and loved practical jokes, but her act was devoid of irony. In her songs, she projected a stage mask of suffering, pain and deprivation which was all the more affecting because the audience knew that there was real suffering, pain and deprivation behind it. Her fans often remarked how ‘natural’ she was; how real. ‘With anyone else you have time to think that she’s singing well or badly. With Piaf, you undergo her,’ a critic wrote in 1950.





