Barbara Newman

For​ medievalists, the bodily turn has had a profound impact not just on the histories of medicine and sexuality, as one would expect, but also on those of art, religion and ideas. Thirty-five years or so after the body emerged as a newly problematic category, an entity with a tangled history or a rebellious subaltern that had finally found its voice, ‘medieval bodies’ have ...

Once upon​ a time, runs a medieval tale, a jealous wife quarrelled with another woman for flirting with her husband. As the women fought, the alleged flirt broke the wife’s nose and ruined her looks for ever, provoking her husband to have affairs in earnest. The moral of the story? ‘This is a good example for all good ladies and gentlewomen about how they ought to bear things ...

‘In​ the Middle Ages,’ Shayne Aaron Legassie writes, ‘travel was nasty, brutish and long.’ Before planes, railways or steamships, it was inseparable from its etymological twin, travail – both derived from the name of an ancient Roman instrument of torture. Peregrinus, the medieval term for a ‘pilgrim’ or ‘traveller’, in classical Latin ...

Anna had ‘to build an authorial persona that, on the one hand, was strong, impartial, intellectual, accurate, driven by research, trustworthy and authoritative, and on the other, female, modest, devoted and humble’. Under the circumstances, it’s astonishing that she succeeded at all.

Why can​ the dead do such great things? Augustine’s rhetorical question, posed near the end of The City of God, launches Robert Bartlett’s massive, erudite compendium of saint lore. Bartlett never cites the bishop’s answer, which is that feats performed from beyond the grave vindicate faith in the resurrection. The martyrs who so publicly and bloodily died for their faith ...