Barbara Everett

He stooped to assess The scrap of paper drenched with Rain and dried by wind,

An ending: ‘One can Love anything, so how much Better it was you.’

While they all went off To France and to Italy She stayed on the moon,

Ankled in white dust, Walking down the craters and Sleeping by earth light.

Shakespeare looked in the Glass and saw a...

Late 16th-century England had no very great portrait painters, but at least one of its dramatists created a gallery of images – principally through his characters – at once brilliant and hard to forget. Hamlet and Lear can haunt the mind in a way that eclipses even the magnificent faces of Dürer and Titian. Shakespeare in fact embodies in his work a great change in...

If we speak of ‘Shakespeare’s Sonnets’, we mean a collection with this name first published in 1609, when Shakespeare was 45 and most of his plays had been staged; he died only seven years later. The 1609 text is the only authentic source for all the editions of Shakespeare’s Sonnets published since. So much is problematic about this first edition that it is best to...

Jacobean England had its own royal catastrophe when, in 1612, the heir to the throne, Prince Henry, died of typhoid at the age of 18. It even had its lost princess when, in the next year, his sister Elizabeth, afterwards known as the Queen of Hearts, married Frederick V, the Elector Palatine, and disappeared into a long and fairly inglorious future. Both events linger on in the shadowy...

Philip Larkin gave the name High Windows to what proved to be his last collection of verse (published in 1974, 11 years before he died). The phrase had been used as the title of one of the poems included, and also occurs at the poem’s end:

the thought of high windows: The sun-comprehending glass, And beyond it, the deep blue air, that shows Nothing, and is nowhere, and is endless.

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