Anna Aslanyan

One of the earliest movies on which Alfred Hitchcock is known to have worked is the 1922 British silent Three Live Ghosts. The original is gone, together with Hitchcock’s intertitles, but last year a copy was found in Moscow. When the organisers of the British Silent Film Festival asked me to translate the Russian intertitles back into English, I wondered how to go about trying to recreate Hitchcock’s style, but I needn’t have worried: the Russian intertitles have little in common with the lost originals. ‘The film treats of the consequences of the World War in a positively dangerous and unacceptable manner, promotes friendship between socially antagonistic classes, and should therefore be banned,’ the Soviet censor concluded in 1925. But it wasn’t banned; it was re-edited instead.

On 20 July 1942, Time magazine led with a story on ‘Fireman Shostakovich’. ‘Amid bombs bursting in Leningrad he heard the chords of victory,’ the caption on the cover said, under a picture based on a Soviet propaganda photo taken on the roof of the Leningrad Conservatoire in September 1941.

‘It's by invitation only,’ a guard at the entrance to the House of Commons told me on Wednesday morning. I was trying to join the people from Fuel Poverty Action (FPA) who had just gone in, uninvited, for a 'warm-up'. The activists had chosen the day of the chancellor’s autumn statement to ask MPs about measures being taken to ensure people can afford to heat their homes. When I got to the lobby, I saw the group surrounded by police. Five minutes later, they were on their way out, chanting: 'No more deaths from fuel poverty.' 'Cold homes kill,' one of their banners said. Winter excess deaths in England and Wales in 2014-15 – the number of people who died between December and March minus the average over the rest of the year – have been estimated by the Office for National Statistics at 43,900, the highest for 15 years. According to the World Health Organisation, at least one third of those deaths are likely to have been caused by fuel poverty.

‘Some people are going to have a problem with that flag,’ a man said to me as we marched down Piccadilly on Saturday. He was talking about the flag of the Syrian National Coalition: green, white and black, with three red stars. A Syrian refugee recently arrived in Britain, he said the flag didn't represent Christians or Kurds, and that he hoped the protesters 'support all civilians'.

‘One does not have to look for distress. It is screaming at you even in the taxis of London,’ Beckett once said. His plays are almost absent from this year’s Edinburgh Fringe – strange, as he is usually given a lot of attention here – but his influence is everywhere.