Alex Abramovich

Jay-Z's newly premiered 'Picasso Baby' video can also be read as a ten-minute riff on art world obsessions (read: star-fucking) and insecurities.

A.O. Scott in the New York Times called The East a 'neat little thriller about ends and means and ethical quandaries'. Betsy Sharkey in the LA Times said it's a 'dizzying cat and mouse game with all sorts of moral implications'. Richard Brody in the New Yorker called it 'absurdly superficial and tendentious'.

The peelable banana that Andy Warhol designed for The Velvet Underground & Nico was a dry-run, of sorts, for the unzippable jeans he designed for the Rolling Stones' Sticky Fingers – an early attempt, on the artist's part, to answer the question: 'Hey, is that a giant cock on your rock and roll album cover?'

Earlier this year, Lucy Raven and I were commissioned by the Oakland Museum of California to make a series of short video portraits of people involved in, opposed to, or otherwise affected by Occupy Oakland. After Occupy Wall Street, OO has been the most visible American Occupy. It has also been the most militant, and following Oakland's efforts to clear the physical encampments at City Hall Plaza – which involved mass arrests, and the wounding of ex-Marine peacenik Scott Olsen – OO became a constant presence in the news cycle, and a pilot light for the whole Occupy movement.

Like Jenny Diski, I was half hoping that the Rapture would arrive as advertised. Unlike her, I spent Judgment Day in Oakland, California, just a few miles from Harold Camping's radio ministry. When the day came and went I drove out there, though there's nothing really to see.