Adam Mars-Jones

Adam Mars-Jones is a professor of creative writing at Goldsmiths. His novels include Box Hill and Batlava Lake, which are quite brief, and Pilcrow and Cedilla, which are intended to be part of a million-word sequence. An early version of some of Kid Gloves: A Voyage round My Father appeared in the LRB. His new novel, Caret, was published in 2023. Box Hill is being adapted for cinema as Pillion.

obligatorynoteofhope.com: Jenny Offill

Adam Mars-Jones, 2 July 2020

During​ the US presidential campaign of 2016 Louis Amis wrote a scabrous satirical story from the point of view of a member of Trump’s team, a daring exercise in fantasy that was revealed as hopelessly timid when the election result was announced. Jenny Offill’s novel Weather is an attempt to grapple with a future that is hard to inhabit imaginatively, the consequences of climate...

Thetitle of Fernanda Melchor’s unrelenting novel brings together disruption and regularity, a break in the pattern but also the pattern that underlies the break. Early in the novel reference is made to a particularly apocalyptic hurricane that results in a disastrous landslide and an avalanche of mud. We’re told the event took place in 1978, but for the impoverished Mexicans...

Reminder: Mother: Helen Phillips

Adam Mars-Jones, 2 January 2020

HelenPhillips’s disconcerting new novel starts on a note of thrillerish urgency. Molly, at home alone with her small children, hears footsteps in the other room. She clasps them to her, though she needs to move away from them if she is to defend them. Ben, the baby, is too young to feel a sense of emergency, but Viv, at three, is old enough both to co-operate and to do the opposite...

Faithful in the Dusk: Tessa Hadley

Adam Mars-Jones, 15 August 2019

The autumnal title​ of Tessa Hadley’s new novel, almost in the resigned mode of Barbara Pym, is both truthful and deceptive. Relationships of love and friendship with deep roots in the past are thoughtfully examined, but the occasion is a drastic severing, placed on such an early page as to be exempt from any embargo on the revelation of plot. Zachary Samuels, who runs his own London...

A bid​ of ‘Misère’ in a game of solo whist means that the player undertakes to lose every trick – it’s a sort of grand slam in reverse. Dag Solstad’s contract with the reader, on the basis of these two books, is similar: he undertakes not to make the best of his materials, producing an apparently methodical collapsing of novelistic machinery. The...

In 1948, Tennessee Williams published a short story (and collection of the same title) called ‘One Arm’. It is about Oliver Winemiller, a magnificent young navy boxer who lost an arm...

Read more reviews

Zero Grazing

John Ryle, 5 November 1992

Seventy-four years ago a viral pandemic began in America, most likely on a pig farm in Iowa. Fifteen months later it had killed over eighteen million people, 1 per cent of the world’s...

Read more reviews

Plague Fiction

Charles Nicholl, 23 July 1987

It sounds like it’s something to do with helping, but that is very far from its meaning. I can’t remember when we first started hearing it; no more than five or six years ago, surely....

Read more reviews

Ugly Stuff

Ian Hamilton, 15 October 1981

William Trevor is bewitched by childhoods and by second childhoods: the ‘grown-up’ bit in between is for him a dullish swamp of lies, commerce, lust and things like that. For Trevor,...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences