The 14th parliament of Singapore opened this week. In last month’s election, the People’s Action Party (PAP), which has governed since 1959, won 83 out of 93 seats. That may seem like a sizeable victory, but ten seats is the best ever showing for an opposition party and the Workers’ Party celebrated long into the night.
On Sunday afternoon I walked past an insurance booth set up near the way out of a railway station, a typical sight in Singapore. ‘Worried about suffering from a critical illness?’ the banner asked. As of today, we have 47 confirmed cases of novel coronavirus infection.
In 1983, Richard Tan, a research officer at Singapore’s Ministry of Defence, was captivated by the Last Night of the Proms on television. ‘It was quite a joyful time,’ he remembers, ‘the Royal Philharmonic Orchestra and all the audience, the young audience, with their flags and banners.’ Three years later, Tan was made deputy director of the newly formed Psychological Defence Division at the Ministry of Communications and Information. Singapore’s political leadership was concerned that the nation’s economic success was breeding an unhealthy ‘Western’ individualism. Tan thought the Last Night of the Proms might offer a model of how to use music to help bring about a greater sense of national belonging. ‘If I want to reach the heart,’ he told himself, ‘I have to follow the British.’