On 13 December, the New York Timespublished an article on the scrubbing of Kevin Spacey’s performance as J. Paul Getty from final prints of the film All the Money in the World. A fast reshoot had slotted Christopher Plummer into every scene that included Spacey; the dazzled reporter, Brooks Barnes, paid homage to the genius and alacrity of the director, Ridley Scott; and they called it in the print edition ‘Daring Act to Save Face’ – a sort of sick pun, and the matter is not so cute when you think about it. Scott was prompted by his recognition that the accusations against Spacey, from unwanted touch to groping to rape – which may turn out to be true, false or exaggerated, in unknown combinations – would damage the box-office take of All the Money in the World. Accordingly, he reworked the film against his original vision, in order to guard against a boycott. The boycott, however, was only speculative; the expunging and substitution were real.