Emmanuelle and the Chocolate Factory
The Editors
Today, apparently, is Roald Dahl Day (were he alive it would be his 96th birthday). Here's Michael Irwin in the LRB on Charlie and the Chocolate Factory (from a review of George's Marvellous Medicine, 1 October 1981):
There are several things that Roald Dahl has got emphatically right, the most important being his appreciation of the passion children feel for sweets in general and perhaps for chocolate in particular. For pre-pubertal Westerners, sweets fill the vacuum later to be occupied by sex. It is unnerving to watch an otherwise decent child being temporarily demoralised (in the literal sense of being morally corrupted) by a desire for sweets as an otherwise decent adult may be by sexual need. In both cases, the overwhelming lust for immediate sensual gratification destroys habitual scruples, yet is itself tainted by a guilty awareness that fulfilment may collapse into satiety, shame and physical discomfort. The whole animal being is involved. A three-year-old with a chocolate-smeared face can wear the hangdog look of a man whose wife surprises him in adultery... Charlie and the Chocolate Factory is thus, in effect, a piece of soft pornography, with Charlie in the Emmanuelle role: ‘as the rich warm creamy chocolate ran down his throat into his empty tummy, his whole body from head to toe began to tingle with pleasure, and a feeling of intense happiness spread over him.’
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