At the Munch Museum: On Alice Neel

Emily LaBarge, 5 October 2023

Despite the evidence of what the world ‘has done’ to Neel’s sitters, her portraits are never mawkish. She kept something back: wasn’t it more fun, she said, to play hide and seek with her thoughts,...

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Short Cuts: Naomi Klein

Jenny Turner, 5 October 2023

‘Going online to try to find some simulation of the friendships and communities I missed,’ Klein found instead ‘The Confusion: a torrent of people discussing me and what I’d said and what I’d...

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Antiquities remain, with the possible exception of wildlife, the only illicit commodity that transnational criminal gangs can trade on the open market. You can’t buy or sell people, drugs or weapons...

Read more about The Ostrich Defence: Trafficking Antiquities

We are our apps: Visual Revolutions

Hal Foster, 5 October 2023

The voice, the face and the gaze, all crucial to our ‘being with others’, are ‘disrupted and distorted’ by chatbots, artificial intelligence, eye tracking, iris scanning, facial coding and all...

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Who scored last? Collision Sport

Gavin Francis, 5 October 2023

Is rugby a participation sport, or an entertainment spectacle? Which should take priority? The newer style of play is making a lot of money for a lot of people, but there is unequivocal evidence that injury...

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There is a moral here, if we like this sort of thing, and Petzold would no doubt say we are entitled to our liking. That’s what abeyance is about. Self-absorbed people have to learn about the lives of...

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At Pallant House: Gwen John

Alice Spawls, 21 September 2023

John had a famous younger brother, Augustus John, and a famous older lover, Auguste Rodin. Her pictures are, on the whole, characterised by restraint of tone and technique. There are not very many of...

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You are not Cruikshank: Gillray’s Mischief

David Bromwich, 21 September 2023

Society itself is a satirist and a thief; what it steals is the person you are. James Gillray’s mischief was of an unusual sort, at once refined and coarse, and sometimes with an opacity hard to penetrate...

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Divinity Incognito: Elsheimer by Night

Nicholas Penny, 7 September 2023

Although Adam Elsheimer provided miniatures for private and privileged delectation, his work enjoyed an enormous influence, partly because of his close association with a great engraver, Hendrick Goudt,...

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At the Courtauld: ‘Art and Artifice’

Rosemary Hill, 7 September 2023

The main objection to Georges Seurat’s Nude with Blonde Hair – what makes it ‘one of the most puzzling works in the collection’ – is its ‘poor quality’. But the argument that it isn’t by...

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At Wiels: Marc Camille Chaimowicz

Brian Dillon, 10 August 2023

Deciding what to show at Wiels, Chaimowicz wrote to the curator, Zoë Gray: ‘I would like to send you my sitting room.’ The result is a theatrical approximation of The Hayes Court Sitting Room, an...

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On Richard Mosse

Francis Gooding, 10 August 2023

Richard Mosse seeks what can’t be seen. He employs military or industrial camera technologies sensitive to light spectra invisible to the eye; his subjects are ignored or remote catastrophes.

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For Richter, the seeming inevitability of capitalism only made it a better subject. He has never been an artist who asks questions of the world around him; he paints not from life but from photographs,...

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At the Movies: ‘Barbie’

Michael Wood, 10 August 2023

In​ the middle of Greta Gerwig’s Barbie, a character makes a horrible discovery about reality: it keeps changing. This may seem obvious and is only part of the truth anyway. One of reality’s other...

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St Francis wrote poetry, tamed a wolf, received the stigmata on a mountainside, and if you love a kitsch Nativity figurine, you have St Francis to thank. He was a poor scribe and a worse artist, but great...

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Drag Race is a sisterhood, and a masterpiece of queer capitalism. RuPaul, a preppy businessman by day, is a figure of superlative glamour in drag – a Black woman comparable in beauty to Naomi Campbell,...

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Ernest Cole’s politics were opaque, he didn’t give much away, but his photographs suggest that he saw racism as a more decisive force in South Africa than the structural injustices of capitalism, even...

Read more about Focus, Shoot, Conceal: Apartheid in Pictures

At the Movies: ‘Asteroid City’

Michael Wood, 13 July 2023

The suggestion, I think, is that life as we live it may be largely an affair of props and sets, and Wes Anderson is inviting us not to feel too bad about this possibility. The question ‘Who framed Asteroid...

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